{"title":"Available Works 販売中","description":"\u003cp class=\"p1\"\u003eORIOGI オリオギ brings together hand-painted animation cels and original artworks from the golden age of Japanese animation. Each piece was created for production use in the 1980s–1990s by studios such as Studio Ghibli, Toei Animation, Walt Disney Japan, and OLM.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThese works are the authentic frames that shaped some of the most recognisable scenes in film and television. Every cel in the collection has been inspected, authenticated, and preserved, representing not just animation history, but the artistry behind it.\u003c\/p\u003e","products":[{"product_id":"mickey-mouse-original-production-drawing-1933","title":"Mickey Mouse - Puppy Love (1933)","description":"\u003cp\u003eAn original production drawing of \u003cstrong\u003eMickey Mouse from Puppy Love (1933)\u003c\/strong\u003e, created at Walt Disney Productions during the early golden age of American animation. The drawing shows Mickey holding a bouquet of flowers, rendered in graphite on studio animation paper with the charm and fluidity of 1930s Disney linework.\u003c\/p\u003e\n\u003cp\u003eThe piece originates from one of the earliest sound-era shorts to feature both Mickey and Minnie, directed by Wilfred Jackson under Walt Disney's supervision. The drawing represents the pre-colour animation process that defined Disney's rapid evolution from simple gag cartoons to emotionally expressive storytelling — every pencil line hand-drawn by a studio animator as part of the frame-by-frame sequence photographed onto 35mm film.\u003c\/p\u003e\n\u003cp\u003eA one-of-a-kind artefact from Disney's formative years, and a rare survivor from the film that helped cement Mickey and Minnie as cultural icons.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Mickey Mouse - Puppy Love\u003cbr\u003e\u003cstrong\u003eFilm:\u003c\/strong\u003e Puppy Love (1933)\u003cbr\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Wilfred Jackson\u003cbr\u003e\u003cstrong\u003eStudio:\u003c\/strong\u003e Walt Disney Productions\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Original production drawing\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Graphite on studio animation paper\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent for its age. Light paper toning and handling consistent with early 1930s production material. Small tear at bottom left corner and minor tape marks in upper left and right corners.\u003c\/p\u003e","brand":"ORIOGI","offers":[{"title":"Default Title","offer_id":52009775628634,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/mickey-mouse-puppy-love-8326613.jpg?v=1765976430"},{"product_id":"ariel-flounder-original-production-cel-with-dougas","title":"Ariel \u0026 Flounder – The Little Mermaid","description":"\u003cp class=\"p1\"\u003eAn original production cel of \u003cstrong\u003eAriel and Flounder from “The Great Sebastian,” an early episode of Disney’s The Little Mermaid television series first aired in 1992\u003c\/strong\u003e. The scene captures Ariel during Disney’s expansion of Atlantica beyond the original feature film, carrying the same sense of curiosity and warmth that defined the character during the studio’s renaissance era. The piece is further \u003cstrong\u003esigned by Jodi Benson, the original voice of Ariel\u003c\/strong\u003e, whose performance became inseparable from the character itself across both film and television.\u003c\/p\u003e\n\u003cp\u003eAriel appears here beside Flounder with the same expressive character construction established in the 1989 feature, carrying over the soft facial shapes, flowing hair movement and bright underwater palette that defined Disney’s renaissance-era animation. The television series adapted those cinematic designs into a faster-paced production environment while still preserving the warmth and readability that made Ariel one of Disney’s most recognisable animated characters. Flounder’s rounded silhouette and exaggerated reactions balance the frame in the classic Disney television style, where strong expressions and clean staging carried the energy of each scene.\u003c\/p\u003e\n\u003cp\u003eIncluded alongside the cel are two original production drawings used during the animation process. These studio-used dougas preserve the animators’ graphite linework beneath the finished painted frame and document the progression from rough movement planning to photographed cel setup. Together, the materials offer a direct look into Disney’s traditional hand-drawn production workflow during the early 1990s television animation period.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eAriel \u0026amp; Flounder\u003cbr\u003e\u003cstrong\u003eFilm:\u003c\/strong\u003e The Little Mermaid TV Series - “The Great Sebastian”\u003cbr\u003e\u003cstrong\u003eDirector: \u003c\/strong\u003eDale Case\u003cbr\u003e\u003cstrong\u003eCharacter Design:\u003c\/strong\u003e Walt Disney Television Animation\u003cbr\u003e\u003cstrong\u003eStudio: \u003c\/strong\u003eWalt Disney Television Animation\u003cbr\u003e\u003cstrong\u003eType: \u003c\/strong\u003eOriginal production cel with 2 matching production drawings\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Hand-painted acetate cel with graphite production drawings on animation paper\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Disney Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Minor age-related wear consistent with studio-used animation material. Production drawings included. No reproduction elements present.\u003c\/p\u003e","brand":"ORIOGI","offers":[{"title":"Default Title","offer_id":52009961783642,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/ariel-flounder-the-little-mermaid-9302415.jpg?v=1779745406"},{"product_id":"ash-ketchum","title":"Ash Ketchum – Pokémon: The First Movie (7 piece set)","description":"\u003cp\u003eA complete seven-piece production set (3 cels, 3 gengas, 1 matching background) from Pokémon: The First Movie (1998), created at OLM for the sequence where Ash Ketchum throws his first Pokéball of the film - the exact moment the Pokémon Theme (\"I wanna be the very best \/ Gotta catch 'em all\") enters the score for the first time in a theatrical context with matching background. One of the most musically and culturally embedded beats in the entire Pokémon animated canon.\u003c\/p\u003e\n\u003cp\u003eThe set comprises three hand-painted production cels across the throw sequence, each paired with its matching genga and matching background. The compositions show Ash against the film's distinctive wispy-stratus sky - the instantly recognisable OLM cloud treatment that defined Pokémon: The First Movie's visual language.\u003c\/p\u003e\n\u003cp\u003eComplete multi-frame sets from Pokémon: The First Movie rarely surface on the market, and complete sets including gengas specifically covering the first-Pokéball-throw scene are singular. The matched cel-and-genga pairings provide the strongest possible authentication link within cel archives: the genga line work can be overlaid against the cel's ink to confirm production continuity. The custom background places the entire set in-scene.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Ash Ketchum - First Pokéball Throw (Complete Production Set)\u003cbr\u003e\u003cstrong\u003eFilm:\u003c\/strong\u003e Pokémon: The First Movie (1998)\u003cbr\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Kunihiko Yuyama\u003cbr\u003e\u003cstrong\u003eStudio:\u003c\/strong\u003e OLM, Inc.\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e 3 original production cels + 3 matching gengas + 1 matching background (7 pieces total)\u003cbr\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eHand-painted acetate cels; graphite and coloured pencil animation drawings; matching background\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Cels in excellent condition with strong colour saturation. Gengas\/dougas in good condition with handling wear consistent with production use. Background intact and well-preserved.\u003cbr\u003e\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52009984721242,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/ash-ketchum-pokemon-the-first-movie-7-piece-set-2247682.jpg?v=1770787975"},{"product_id":"my-neighbor-totoro-original-production-cel","title":"Satsuki – My Neighbor Totoro","description":"\u003cp\u003eA hand-painted production cel of Satsuki on the telephone, from Hayao Miyazaki's classic \u003cstrong\u003eMy Neighbor Totoro\u003c\/strong\u003e. Created in 1988 at Studio Ghibli, the film remains one of the most iconic works in Japanese animation — its warmth and quiet magic shaping how audiences worldwide imagine childhood and wonder.\u003c\/p\u003e\n\u003cp\u003eThe cel was painted by hand on acetate, photographed against a painted background, and used directly in the making of the film. Every brushstroke, every ink line represents the precise frame captured on camera during production. Unlike reproductions or sericels, this is a unique one-of-one artefact of cinema history.\u003c\/p\u003e\n\u003cp\u003eFew Ghibli pieces survive on the market — most were destroyed or archived after production. This cel preserves a fleeting moment of Miyazaki's hand-crafted storytelling, an authentic fragment of one of the most influential animated films ever made.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Satsuki on the Telephone\u003cbr\u003e\u003cstrong\u003eFilm: \u003c\/strong\u003eMy Neighbor Totoro (1988)\u003cbr\u003e\u003cstrong\u003eDirector: \u003c\/strong\u003eHayao Miyazaki\u003cbr\u003e\u003cstrong\u003eAnimation Director:\u003c\/strong\u003e Yoshiharu Sato\u003cbr\u003e\u003cstrong\u003eStudio: \u003c\/strong\u003eStudio Ghibli\u003cbr\u003e\u003cstrong\u003eScene Timestamp:\u003c\/strong\u003e 01:06:16\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Original hand-painted production cel\u003cbr\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003ePaint on acetate\u003cbr\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e Studio-used, not a reproduction\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003eCondition: Cel in good condition with edge paint flaking present.\u003c\/p\u003e","brand":"ORIOGI","offers":[{"title":"Default Title","offer_id":52010223501658,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/satsuki-my-neighbor-totoro-9497226.jpg?v=1776928165"},{"product_id":"tsukino-usagi-sailor-moon","title":"Tsukino Usagi\/Sailor Moon – Sailor Moon","description":"\u003cp\u003eAn original production cel of \u003cstrong\u003eUsagi Tsukino from Sailor Moon S: The Movie (1994)\u003c\/strong\u003e, produced by Toei Animation during the height of the franchise’s cinematic era. The scene appears approximately 36 minutes into the film, capturing Usagi in a rare quiet moment of vulnerability, wrapped in soft winter clothing while the emotional weight of the story begins to settle around her. Removed from transformation sequences and heroic poses, the frame instead reflects the human side of Sailor Moon that defined much of the series’ emotional resonance.\u003c\/p\u003e\n\u003cp\u003eThe artwork carries the unmistakable visual identity of mid-1990s Toei Animation: luminous blonde hair rendered in layered highlights, delicate facial construction, and the restrained linework that allowed emotional expression to remain central even within highly stylised character design. The composition leaves significant negative space around Usagi, drawing focus toward her hesitant posture and subdued expression rather than spectacle or movement.\u003c\/p\u003e\n\u003cp\u003eIncluded with the cel is its original matching douga as well as a studio-used Toei Animation timing sheet used during production. The timing sheet documents the exact frame planning and animation pacing for the sequence, preserving part of the technical blueprint behind the final photographed scene. Together, the materials trace the production pipeline from animator planning to finished hand-painted frame and provide a far deeper archival record than a standalone cel alone.\u003c\/p\u003e\n\u003cp\u003eThe set remains fully authentic to production and has not been recreated or reproduced. Every painted surface, graphite line and timing notation originates directly from the original production process at Toei Animation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eUsagi Tsukino\u003cbr\u003e\u003cstrong\u003eFilm: \u003c\/strong\u003eSailor Moon S: The Movie\u003cbr\u003e\u003cstrong\u003eDirector: \u003c\/strong\u003eHiroki Shibata\u003cbr\u003e\u003cstrong\u003eCharacter Design: \u003c\/strong\u003eIkuko Itō\u003cbr\u003e\u003cstrong\u003eStudio:\u003c\/strong\u003e Toei Animation\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Original production cel with matching douga and original timing sheet\u003cbr\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eHand-painted acetate cel with graphite production drawing and studio timing sheet on animation paper\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Minor age-related wear consistent with studio-used animation material. Matching douga and original timing sheet included.\u003c\/p\u003e","brand":"ORIOGI","offers":[{"title":"Default Title","offer_id":52036603314522,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/tsukino-usagisailor-moon-sailor-moon-9963021.jpg?v=1778088819"},{"product_id":"astro-boy-tetsuwan-atom","title":"Astro Boy - Tetsuwan Atom (6-piece set)","description":"\u003cp\u003eA rare \u003cstrong\u003emulti-layer production cel\u003c\/strong\u003e setup of Astro Boy from Tetsuwan Atom, presented as a four-cel composition paired with a matching genga and a custom archival giclée background.\u003c\/p\u003e\n\u003cp\u003eAstro Boy is where modern Japanese animation begins. Long before genres or studios as we know them today, the series established television anime as a medium and set the ethical and visual foundation for everything that followed. Including Astro Boy at the launch of ORIOGI is deliberate - it places the collection at the root of the art form itself.\u003c\/p\u003e\n\u003cp\u003eThis four-cel setup builds depth through motion, a practical technique from early TV production that also sharpens the sense of scale: a small figure crossing an enormous sky. The original production background for this cut is not present. Instead, the cel set is paired with a bespoke archival giclée background inspired by classic Astro Boy space imagery, composed to match the direction of flight while remaining clearly identified as non-production material.\u003c\/p\u003e\n\u003cp\u003eA cornerstone piece rather than a highlight — a reminder that animation history, at its origin, was already about ideas as much as images.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eAstro Boy - Tetsuwan Atom\u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Tetsuwan Atom (Astro Boy)\u003cbr\u003e\u003cstrong\u003eCreator of Franchise:\u003c\/strong\u003e Osamu Tezuka\u003cbr\u003e\u003cstrong\u003eStudio:\u003c\/strong\u003e Mushi Production\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Original production cel set (four layered cels) with matching genga and custom giclée background\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Four hand-painted acetate cels (stuck together); genga on paper; archival pigment giclée background on fine art paper\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eCels in very good condition with light line and paint wear consistent with age. Cels stuck and stapled. Genga in good condition. Minor edge wear and production marks visible. Custom background not original to production.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52036626153818,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/astro-boy-tetsuwan-atom-6-piece-set-5448396.jpg?v=1765976440"},{"product_id":"popeye-popeye-the-sailor","title":"Key Master: Popeye - Popeye the Sailor","description":"\u003cp\u003eAn original \u003cstrong\u003ekey master setup\u003c\/strong\u003e of Popeye the Sailor, produced during the classic theatrical era at Fleischer Studios. Popeye is shown mid-stride, pipe clenched and arms wound tight as he charges forward, Popeye animation at its most physical, where motion is exaggerated through weight, posture, and timing rather than effects.\u003c\/p\u003e\n\u003cp\u003eThe cel is paired with its original hand-painted studio background, forming a complete key master composition. The background architecture, warm palette, and heavy texturing are consistent with Fleischer's late-1930s to early-1940s theatrical shorts. Popeye's distorted forearms and compressed torso show the animator pushing volume and squash to sell momentum — a hallmark of Fleischer's rougher, more muscular style compared to later television interpretations.\u003c\/p\u003e\n\u003cp\u003eKey master setups like this were created to establish scene staging and motion continuity, meaning the cel and background were used together as the visual reference for an entire sequence. That completeness is what makes them historically important, not just visually striking. While individual Popeye cels surface with some regularity, intact key master setups from the theatrical period are substantially more difficult to find - backgrounds were often separated or discarded.\u003c\/p\u003e\n\u003cp\u003eTitle: Popeye the Sailor - Key Master Setup\u003cbr\u003eSeries: Popeye the Sailor (theatrical shorts)\u003cbr\u003eStudio: Fleischer Studios\u003cbr\u003eType: Original key master setup\u003cbr\u003eMedium: Hand-painted acetate cel on matching hand-painted studio background\u003cbr\u003eAuthentication: ORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003eCondition: Cel and background in very good condition. Background has a tear on the upper-left corner. Original production markings present.\u003c\/p\u003e","brand":"ORIOGI","offers":[{"title":"Default Title","offer_id":52036635492698,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/key-master-popeye-popeye-the-sailor-3107068.jpg?v=1770787961"},{"product_id":"goku-dragon-ball-z-episode-21","title":"Goku – Dragon Ball Z","description":"\u003cp\u003eAn original production cel of Goku from Dragon Ball Z (1989), produced by Toei Animation. The piece appears in Episode 21, during the quiet interlude when Goku completes his training with King Kai. It shows him focused and listening intently — moments before his master acknowledges the end of their months of intense preparation.\u003c\/p\u003e\n\u003cp\u003eCreated under the supervision of Director Daisuke Nishio and Animation Director Minoru Maeda, the cel exemplifies the sharp linework and saturated tones that defined early Dragon Ball Z episodes. Goku's expression here marks a turning point in the Saiyan Saga, capturing his balance between humility and strength as he prepares to return to battle.\u003c\/p\u003e\n\u003cp\u003eThe cel was photographed on 35mm film and is numbered within the \"26\" cut range, consistent with the scene's production markings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Goku's Final Lesson\u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Dragon Ball Z\u003cbr\u003e\u003cstrong\u003eEpisode: \u003c\/strong\u003e21 (1989)\u003cbr\u003e\u003cstrong\u003eDirector: \u003c\/strong\u003eDaisuke Nishio\u003cbr\u003e\u003cstrong\u003eAnimation Director: \u003c\/strong\u003eMinoru Maeda\u003cbr\u003e\u003cstrong\u003eStudio: \u003c\/strong\u003eToei Animation\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Original production cel with custom giclée background\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Hand-painted acetate; giclée background\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Great overall. Minor specks and line fading consistent with late-1980s Toei acetate. Some paper adhesion to the reverse paint layer; the acetate remains free of stuck paper. No warping or pigment separation visible.\u003c\/p\u003e","brand":"ORIOGI","offers":[{"title":"Default Title","offer_id":52036657250650,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/goku-dragon-ball-z-8603479.jpg?v=1765976494"},{"product_id":"super-saiyan-goku-dragon-ball-z","title":"Super Saiyan Goku - Dragon Ball Z (Koizumi)","description":"\u003cp\u003eAn original hand-painted production cel of \u003cstrong\u003eSuper Saiyan Goku\u003c\/strong\u003e, created for a licensed Dragon Ball Z commercial campaign and produced within Toei Animation's workflow for Koizumi Desk in the mid-1990s. Key animation by Naotoshi Shida.\u003c\/p\u003e\n\u003cp\u003eCommercial cels produced for Dragon Ball Z advertising are significantly rarer than television-used material. They were created in far smaller quantities, often discarded after use, and almost never preserved through official studio channels. ORIOGI is pleased to present an intact example from this short-lived Koizumi Desk licensed-commercial pipeline.\u003c\/p\u003e\n\u003cp\u003eThe cel features Super Saiyan Goku depicted upside down in a dynamic, high-energy pose, diagonal perspective, exaggerated motion, visual impact. These are hallmarks of Dragon Ball Z's 1990s promotional animation language, where commercial work allowed for bolder compositions, isolated character poses, and more extreme framing than weekly episode production typically permitted.\u003c\/p\u003e\n\u003cp\u003eThe artwork captures Goku in his classic Super Saiyan design with sharp linework, saturated colours, and the muscular proportions characteristic of Dragon Ball Z's mid-1990s visual identity, an era closely associated with key animators like Naotoshi Shida, whose commercial and promotional work helped define the franchise's kinetic style beyond television episodes.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Super Saiyan Goku (Koizumi Desk Commercial)\u003cbr\u003e\u003cstrong\u003eSeries: \u003c\/strong\u003eDragon Ball Z\u003cbr\u003e\u003cstrong\u003eKey Animation:\u003c\/strong\u003e Naotoshi Shida\u003cbr\u003e\u003cstrong\u003eStudio: \u003c\/strong\u003eToei Animation\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Original hand-painted production cel created for licensed commercial animation\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Paint on acetate with custom giclée background for display\u003cbr\u003e\u003cstrong\u003eAuthentication: \u003c\/strong\u003eORIOGI オリオギ \u0026amp; Mandarake Certificates of Authenticity\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Good production-used condition — light handling wear consistent with original studio use.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52059779203418,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/super-saiyan-goku-dragon-ball-z-7776128.jpg?v=1765976441"},{"product_id":"master-roshi-dragon-ball-z","title":"Master Roshi – Dragon Ball Z","description":"\u003cp\u003eAn original production cel of Master Roshi from Dragon Ball Z, created at Toei Animation during the early 1990s hand-painted era. Roshi is shown mid-motion during a tournament setting — sunglasses on, body pitched forward, hand raised in a defensive or interrupting gesture. This is Roshi as referee, teacher, and martial arts authority — not the spectacle fighter, but the one who still controls the room.\u003c\/p\u003e\n\u003cp\u003eVisually, this is classic early Z. Heavy linework, warm skin tones, and a thick paint application typical of episodes animated under Chief Animation Directors like Minoru Maeda and Katsuyoshi Nakatsuru, whose work carried the physicality of late Dragon Ball into the first half of Z. Roshi's exaggerated facial geometry and sharp hand pose reflect the studio's focus at the time: clarity of movement over flashy effects.\u003c\/p\u003e\n\u003cp\u003eThe cel is paired with a hand-painted background consistent with a World Martial Arts Tournament sequence or related arena scene. Tournament cuts were animated with higher contrast and cleaner staging, as they needed to read quickly with multiple characters on screen. That staging discipline is visible here — Roshi is dead centre, framed to command attention without movement excess.\u003c\/p\u003e\n\u003cp\u003eAction-focused Roshi cels from Z are increasingly difficult to find. By this period, Roshi rarely performed signature techniques; his role had shifted into commentary, rule-setting, and the occasional physical reminder that he was still dangerous when provoked. That makes moments like this - animated, engaged, and forceful — far scarcer than comedic reaction shots.\u003c\/p\u003e\n\u003cp\u003eMaster Roshi is where Dragon Ball began. Before transformations and power levels, there was technique, discipline, and one old master teaching the world how energy should move. 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Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eCel and background in very good condition with minor line and paint wear consistent with broadcast use. Production markings present.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52059803189594,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/master-roshi-dragon-ball-z-8701711.jpg?v=1776928168"},{"product_id":"super-saiyan-vegeta-goku-dragon-ball-z","title":"Goku \u0026 Halo Vegeta - Dragon Ball Z","description":"\u003cp\u003eA dual-character production setup of \u003cstrong\u003eSon Goku and Vegeta from Episode 275 of Dragon Ball Z, “Majin Buu’s Trick,”\u003c\/strong\u003e first aired in Japan on January 17, 1996 during the climax of the Kid Buu arc. The scene comes from the final stretch of the original Dragon Ball Z storyline, where Goku and Vegeta stand together on the Sacred World of the Kai against Kid Buu in what would become the concluding battle of the entire series.\u003c\/p\u003e\n\u003cp\u003eVegeta appears in Super Saiyan form bearing the halo that marks his temporary return from the afterlife following his sacrifice earlier in the Majin Buu saga. Goku stands beside him in his classic orange gi, the two rivals now framed not as enemies but as fully realised partners facing the final threat together. The emotional weight of these late Buu arc scenes rests less in spectacle than in the history between the characters themselves, and the restraint of the composition reflects exactly that shift.\u003c\/p\u003e\n\u003cp\u003eThe setup demonstrates classic mid-1990s Toei Animation staging. Vegeta is drawn larger in the foreground while Goku occupies the middle distance, creating depth entirely through character scaling rather than elaborate layered movement. The cel work itself reflects the visual identity of late Dragon Ball Z production: sharp angular linework, controlled colour blocking and restrained expressions carrying years of accumulated character development.\u003c\/p\u003e\n\u003cp\u003eBoth original matching dougas remain preserved alongside their corresponding hand-painted cels, forming a complete four-piece production grouping exactly as used during animation. The dougas retain the graphite construction lines created by Toei animators prior to inking and paint application, allowing the full transition from animator draftsmanship to photographed frame to remain visible. Surviving dual-character Dragon Ball Z setups retaining both matched dougas are notably uncommon, as production drawings were frequently separated from their cels during studio handling and archival dispersal.\u003c\/p\u003e\n\u003cp\u003eFor collectors focused specifically on the closing era of Dragon Ball Z, few visual details carry more significance than Vegeta’s halo. It fixes the scene directly within the final Kid Buu confrontation - the sequence where one of anime’s defining rivalries reaches its conclusion not through conflict, but mutual respect.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eGoku \u0026amp; Halo Vegeta\u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Dragon Ball Z\u003cbr\u003e\u003cstrong\u003eEpisode:\u003c\/strong\u003e Episode 275 - “Majin Buu’s Trick”\u003cbr\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Daisuke Nishio\u003cbr\u003e\u003cstrong\u003eStudio:\u003c\/strong\u003e Toei Animation\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Two original production cels with matching dougas\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Hand-painted acetate cels with graphite production drawings on animation paper\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003eCondition: Both cels and matching dougas remain in excellent studio-used condition with minor age-related production wear consistent with original animation material.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52064026427738,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/goku-halo-vegeta-dragon-ball-z-2580656.jpg?v=1780657398"},{"product_id":"donald-duck-signed-by-tony-anselmo","title":"Donald Duck - Signed by Tony Anselmo","description":"\u003cp class=\"p1\"\u003e\u003cb\u003eWalt Disney Studios, Donald Duck, 1980s. Original production cel with douga, hand-signed by Tony Anselmo.\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eA vibrant production cel of Donald Duck, one of Disney’s most iconic characters, paired with its original pencil douga (animation drawing). This piece is further distinguished by the autograph of Tony Anselmo, the official voice of Donald Duck since 1985, directly on the cel surface.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe cel has been presented over a high-quality giclée background, faithfully scene-matched to the production, enhancing its display impact while preserving the cel’s original character paint.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eCels of Donald Duck are perennial collector favourites, but examples accompanied by both douga and voice actor signature are exceptionally scarce. This piece bridges Disney animation history with the living legacy of its voice talent, making it a standout acquisition for serious collectors.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003ePresented with certificate of authenticity.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52064108478810,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/donald-duck-signed-by-tony-anselmo-8530038.jpg?v=1778088815"},{"product_id":"chibi-usa-sailor-moon","title":"Chibi-Usa (School Uniform) - Sailor Moon","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAn original hand-painted production cel of Chibi-Usa (Usagi \"Chibiusa\" Tsukino) in her school uniform, captured in a striking close-up framing. Large expressive red eyes, vivid pink hair styled in her signature twin odango buns, and the warm rounded character design that defined Sailor Moon's civilian-mode aesthetic.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe composition reads as a hero close-up — the kind of cut animators reserve for emotional beats rather than action sequences. Strong colour contrast across the eyes, hair, and uniform, with the saturated paint application typical of Toei's mid-1990s broadcast era. Standard production registration holes visible at the top edge, consistent with cels that were photographed directly on the studio's pegbar system before being separated from the production stack.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eCivilian-mode Chibi-Usa cels exist in noticeably smaller numbers than her Sailor Chibi Moon transformation cels — the everyday school-uniform version of the character appears less frequently across the series, making close-up cels of this kind less common than the action-heavy transformation footage that dominates surviving Sailor Moon production material.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eChibi-Usa (School Uniform Close-Up) \u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Sailor Moon Studio: Toei Animation \u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Original hand-painted production cel \u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Paint on acetate Authentication: ORIOGI オリオギ certified. Includes Certificate of Authenticity. \u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent overall. Standard production registration holes visible at the top edge. Minor edge wear consistent with age.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52170373529946,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/chibi-usa-school-uniform-sailor-moon-4068935.jpg?v=1776928170"},{"product_id":"satsuki-my-neighbor-totoro","title":"Satsuki - My Neighbor Totoro","description":"\u003cp\u003eAn original production cel and matching genga of \u003cstrong\u003eSatsuki from My Neighbor Totoro\u003c\/strong\u003e (1988), directed by Hayao Miyazaki and produced by \u003cstrong\u003eStudio Ghibli\u003c\/strong\u003e. The piece shows Satsuki running barefoot in her orange skirt and yellow blouse during the early sequence where she and Mei explore their new countryside home — one of the film's most joyful and recognisable introductions.\u003c\/p\u003e\n\u003cp\u003eCreated under the supervision of Animation Director Yoshiharu Sato, whose expressive character work defined both sisters, this cel captures the natural motion and sincerity that became central to Miyazaki's visual language. Each cel was photographed on 35mm film, with multiple acetate layers used to achieve depth and fluidity.\u003c\/p\u003e\n\u003cp\u003eCels from Totoro's early exploration scenes are not a common find - thin-gauge acetate from this period often yellowed or warped over time, making well-preserved examples increasingly uncommon.\u003c\/p\u003e\n\u003cp\u003eThis cel belongs to Ghibli's transitional era between Laputa: Castle in the Sky (1986) and Kiki's Delivery Service (1989), a period that refined the studio's colour philosophy and motion realism.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eSatsuki\u003cbr\u003e\u003cstrong\u003eFilm:\u003c\/strong\u003e My Neighbor Totoro (1988)\u003cbr\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Hayao Miyazaki\u003cbr\u003e\u003cstrong\u003eAnimation Director: \u003c\/strong\u003eYoshiharu Sato\u003cbr\u003e\u003cstrong\u003eStudio:\u003c\/strong\u003e Studio Ghibli\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Original production cel with matching genga and matching background\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Hand-painted acetate; pencil on paper; giclée background on fine art paper\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eExcellent overall. Minor line fading and natural aging consistent with late-1980s acetate. No warping or structural damage affecting the cel's visual integrity.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52170377298266,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/satsuki-my-neighbor-totoro-1102769.jpg?v=1770787964"},{"product_id":"final-form-frieza-dragon-ball-z","title":"Final Form Frieza - Dragon Ball Z","description":"\u003cp\u003eAn original production cel and matching genga created for Dragon Ball Z, Episode 94, produced by Toei Animation in 1991. A complete production pairing from the climax of the Namek arc, the cel captures Frieza's chilling composure in the green sky of Planet Namek - one of the most pivotal moments of the Frieza Saga, immediately following the impact of the Genki-Dama.\u003c\/p\u003e\n\u003cp\u003eThis episode aired during the period when Minoru Maeda's character designs and Yukio Ebisawa's animation direction shaped the visual identity of early-1990s Dragon Ball Z. Their influence is visible in the precise anatomy, dense shading, and saturated Namek palette that distinguish this era. The stillness in Frieza's expression reflects the narrative tension that made the arc historic across shonen storytelling.\u003c\/p\u003e\n\u003cp\u003eComplete cel-and-douga pairings of Frieza's final form from this episode are unusual to come across. As a complete production pairing from the Namek arc, it offers a clear look at one of the series' defining moments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Final Form Frieza\u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Dragon Ball Z\u003cbr\u003e\u003cstrong\u003eEpisode:\u003c\/strong\u003e 94 - \"The Incredible Destructive Force of the Genki-Dama!! Who Will Survive?!\" (1991)\u003cbr\u003e\u003cstrong\u003eCharacter Designer:\u003c\/strong\u003e Minoru Maeda\u003cbr\u003e\u003cstrong\u003eAnimation Director: \u003c\/strong\u003eYukio Ebisawa\u003cbr\u003e\u003cstrong\u003eKey Animation: \u003c\/strong\u003eToyota Iida, Toshiyuki Kan'no, Takeo Ide, Hideko Okimoto\u003cbr\u003e\u003cstrong\u003eStudio: \u003c\/strong\u003eToei Animation\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Original production cel and matching genga\u003cbr\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eHand-painted acetate cel; graphite and coloured pencil animation drawing\u003cbr\u003e\u003cstrong\u003eAuthentication: \u003c\/strong\u003eORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Cel and genga in great condition.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52170431758682,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/final-form-frieza-dragon-ball-z-9058963.jpg?v=1770787958"},{"product_id":"team-rocket-pokemon-the-series","title":"Jessie, James \u0026 Meowth (Team Rocket) - Pokémon","description":"\u003cp\u003e\u003cstrong\u003eAn original production cel of Jessie, James, and Meowth from “A Friend in Deed,” Episode 24 of Pokémon: Adventures in the Orange Islands\u003c\/strong\u003e, first aired in Japan on January 7, 1999 and later released internationally during the height of Pokémania’s global expansion. The scene captures Team Rocket in one of the franchise’s most recognisable visual traditions - blasted directly toward the viewer in the aftermath of another failed scheme, moments before their familiar exit catchphrase lands.\u003c\/p\u003e\n\u003cp\u003eThe composition is pure late-1990s Pokémon television animation at OLM, Inc.: bold linework, saturated colour flats, and exaggerated perspective designed for maximum readability on broadcast television. Meowth sits at the centre of the frame while Jessie and James spiral around him, creating the kind of dynamic three-character setup that became synonymous with the series itself. The heavy foreshortening and explosive radial effects give the scene a physical energy that translates unusually well into display form, especially compared to more static dialogue cels from the same production period.\u003c\/p\u003e\n\u003cp\u003eThe original hand-painted production background from this sequence is not present. Instead, the cel is paired with a custom archival giclée background recreating the same explosive burst composition seen in the episode. The pairing preserves the visual rhythm and comedic impact of the original scene while keeping the production material itself fully transparent and honest.\u003c\/p\u003e\n\u003cp\u003eFew recurring moments in television animation became as instantly recognisable as Team Rocket “blasting off again,” and complete group compositions featuring Jessie, James, and Meowth together remain considerably harder to locate than single-character examples from the same era.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Team Rocket - Jessie, James \u0026amp; Meowth\u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Pokémon: Adventures in the Orange Islands\u003cbr\u003e\u003cstrong\u003eEpisode:\u003c\/strong\u003e “A Friend in Deed” - Episode 24\u003cbr\u003e\u003cstrong\u003eChief Director:\u003c\/strong\u003e Kunihiko Yuyama\u003cbr\u003e\u003cstrong\u003eStudio:\u003c\/strong\u003e OLM, Inc.\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Original production cel with custom giclée background\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Hand-painted acetate cel on standard 3-peg, 12-field production cel with archival pigment giclée background on fine art paper\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Cel in very good condition with minor line fading and light paint surface wear consistent with studio-used animation material. No sticking present between cel and background.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52176595091802,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/jessie-james-and-meowth-team-rocket-pokemon-the-series-6844117.jpg?v=1765976497"},{"product_id":"kiki-jiji-kikis-delivery-service","title":"Kiki \u0026 Jiji - Kiki's Delivery Service","description":"\u003cp\u003eAn original production cel of \u003cstrong\u003eKiki and Jiji from Kiki's Delivery Service (1989)\u003c\/strong\u003e, created at \u003cstrong\u003eStudio Ghibli\u003c\/strong\u003e. Kiki is caught in one of the softest moments of the opening sequence - leaning into Jiji with her eyes closed and cheeks flushed while the radio plays \"Rouge no Dengon\" and the film is still quietly promising that everything ahead will be simple and exciting.\u003c\/p\u003e\n\u003cp\u003eThe style is pure Katsuya Kondō: soft lines, open shapes, and the slightly oversized ribbon that came to define what most people think of as the \"Ghibli look.\" The pose carries the studio's habit of grounding fantasy in real gesture - a child's body genuinely reacting to a cat's weight, not a caricature of one.\u003c\/p\u003e\n\u003cp\u003eThe original background for this cut is not present. Instead, the cel is paired with a custom archival giclée background composed to echo the feeling of Kiki's early flight sequence, shifted into daylight rather than night: broad clouds, open air, and the sense that her whole new life is waiting just beyond the frame. The pairing keeps the production cel fully honest while giving the scene the presence and emotional clarity it deserves on the wall.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Kiki \u0026amp; Jiji\u003cbr\u003e\u003cstrong\u003eFilm:\u003c\/strong\u003e Kiki's Delivery Service (1989)\u003cbr\u003e\u003cstrong\u003eDirector: \u003c\/strong\u003eHayao Miyazaki\u003cbr\u003e\u003cstrong\u003eCharacter Design: \u003c\/strong\u003eKatsuya Kondō\u003cbr\u003e\u003cstrong\u003eStudio:\u003c\/strong\u003e Studio Ghibli\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Original production cel with custom giclée background\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Hand-painted acetate cel; archival pigment giclée background on fine art paper\u003cbr\u003e\u003cstrong\u003eAuthentication: \u003c\/strong\u003eORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Minor line fading and paint loss along edges; paper adhesion present on back of cel. Custom background not original to production.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52228390420826,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/kiki-jiji-kikis-delivery-service-3024844.jpg?v=1765976489"},{"product_id":"majin-vegeta-halo-dragon-ball-z","title":"Halo Vegeta - Dragon Ball Z","description":"\u003cp\u003eAn original production cel set of \u003cstrong\u003eVegeta from Episode 268 of Dragon Ball Z, titled “Union of Rivals,”\u003c\/strong\u003e first aired in Japan on June 28, 1995 during the Fusion Saga and final stages of the Majin Buu arc. The scene appears approximately 12 minutes into the episode, during the sequence where Vegeta returns from the afterlife and reunites with Goku on the Sacred World of the Kai as Super Buu closes in.  \u003c\/p\u003e\n\u003cp\u003eVegeta appears in Super Saiyan form bearing the halo that marks him as dead - temporarily returned to the living world through King Yemma’s intervention for one final battle. He wears the stripped-back black tank top and blue training pants that replaced his Saiyan armour during the later Buu arc, visually reinforcing how far the character had moved from the cold and pride-driven warrior first introduced earlier in the series. The pose is tense and confrontational, carrying the controlled anger that defined Vegeta’s late-series characterisation, while the halo remains suspended quietly above him as a constant reminder that this moment exists outside the normal boundaries of life and death.\u003c\/p\u003e\n\u003cp\u003eEpisode 268 itself marks one of the most important turning points in the entire Dragon Ball Z narrative. It is the episode where Goku attempts to convince Vegeta to fuse using the Potara earrings, leading directly into the creation of Vegito shortly afterwards. Much of the emotional weight of the episode comes not from combat itself, but from Vegeta’s lingering pride and refusal to accept fusion with Goku despite the destruction unfolding around them. The scene represented by this cel exists directly within that tension - the final evolution of a rivalry that had defined the series for years.  \u003c\/p\u003e\n\u003cp\u003eVisually, the setup reflects Toei Animation’s late-Buu-arc production style at full maturity. Dense aura linework, sharp angular facial construction and dramatic contrast between character lighting and darkened skies dominate the composition. The yellow energy source visible within the frame aligns with the escalating energy sequences surrounding the final confrontation, giving the scene the heavy atmosphere associated with the closing chapters of Dragon Ball Z.\u003c\/p\u003e\n\u003cp\u003eThe set remains fully authentic to production and has not been reproduced or recreated. Every painted surface originates directly from the original Dragon Ball Z animation process at Toei Animation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Halo Vegeta\u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Dragon Ball Z\u003cbr\u003e\u003cstrong\u003eEpisode:\u003c\/strong\u003e Episode 268 - “Union of Rivals”\u003cbr\u003e\u003cstrong\u003eArc: \u003c\/strong\u003eFusion Saga \/ Majin Buu Saga\u003cbr\u003e\u003cstrong\u003eDirector: \u003c\/strong\u003eDaisuke Nishio\u003cbr\u003e\u003cstrong\u003eStudio: \u003c\/strong\u003eToei Animation\u003cbr\u003e\u003cstrong\u003eType: \u003c\/strong\u003eOriginal production cel set\u003cbr\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eHand-painted acetate production cels\u003cbr\u003e\u003cstrong\u003eAuthentication: \u003c\/strong\u003eORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eCels remain in very good studio-used condition with minimal line wear and minor dust particles present between layers. Cel layers stuck together consistent with age and original production materials.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52379062239578,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/halo-vegeta-dragon-ball-z-6694450.jpg?v=1776928169"},{"product_id":"super-saiyan-vegeta-ascend-dragon-ball-z","title":"Super Saiyan Vegeta - Dragon Ball Z","description":"\u003cp\u003eTwo original production cels of Vegeta in Super Saiyan form from Episode 161 of Dragon Ball Z, “Super Vegeta Threatens,” first aired in Japan on August 25, 1993 during the height of the Cell Saga. The scene appears approximately 18 minutes into the episode, shortly after Vegeta emerges from the Hyperbolic Time Chamber and begins demonstrating the overwhelming increase in power that would define his “Super Vegeta” transformation against Semi-Perfect Cell.\u003c\/p\u003e\n\u003cp\u003eThe composition captures Vegeta diving forward engulfed in aura energy, his body driven almost entirely by momentum and aggression. It is one of the defining visual attitudes of the Android and Cell Saga period - Vegeta no longer fighting from desperation or survival, but from overwhelming pride and absolute confidence in his own power. The rigid posture, narrowed expression and explosive forward motion all reflect the characterisation that made the Cell arc version of Vegeta one of the most recognisable iterations in the entire franchise.\u003c\/p\u003e\n\u003cp\u003eThe cels preserve Toei Animation’s mid-series Dragon Ball Z visual language at full intensity. Vegeta wears the updated Saiyan armour variant introduced during the Android Saga, featuring the dark blue bodysuit with green shoulder pauldrons and brown torso plating that replaced his earlier Frieza Saga armour design. The dense aura effects, cloudy atmospheric background and aggressive perspective work reflect the period where Dragon Ball Z fully embraced large-scale energy compositions and layered effects animation to match the escalating scale of its battles.\u003c\/p\u003e\n\u003cp\u003eThe setup retains both original production cels together with a matching painted background used for display presentation. The cel is additionally marked “A16” in the upper right corner, preserving part of the original internal production notation from Toei Animation’s workflow pipeline. Paint saturation across the aura effects remains exceptionally strong, particularly for a heavily layered Dragon Ball Z action setup from the early 1990s, where dense energy effects frequently resulted in line fading and paint deterioration over time.\u003c\/p\u003e\n\u003cp\u003eSuper Saiyan Vegeta cels from the Cell Saga remain among the most sought-after pieces within surviving Dragon Ball Z production material, particularly examples featuring heavy aura animation and aggressive combat staging. Well-preserved effects-heavy setups with intact paint and strong colour retention are considerably scarcer than standard dialogue or static-frame cels from the same production era.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eSuper Saiyan Vegeta\u003cbr\u003e\u003cstrong\u003eSeries: \u003c\/strong\u003eDragon Ball Z\u003cbr\u003e\u003cstrong\u003eEpisode: \u003c\/strong\u003eEpisode 161 - “Super Vegeta Threatens”\u003cbr\u003e\u003cstrong\u003eArc: \u003c\/strong\u003eCell Saga\u003cbr\u003e\u003cstrong\u003eDirector: \u003c\/strong\u003eDaisuke Nishio\u003cbr\u003e\u003cstrong\u003eStudio: \u003c\/strong\u003eToei Animation\u003cbr\u003e\u003cstrong\u003eType: \u003c\/strong\u003eTwo original production cels with matching painted background\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Hand-painted acetate production cels with painted display background\u003cbr\u003e\u003cstrong\u003eProduction Notation:\u003c\/strong\u003e A16 production identifier present\u003cbr\u003e\u003cstrong\u003eAuthentication: \u003c\/strong\u003eORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Cels remain in excellent studio-used condition with minimal line wear and strong paint preservation throughout aura effects. Matching background included.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52379067580762,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/super-saiyan-vegeta-dragon-ball-z-5965627.jpg?v=1776928154"},{"product_id":"ashitaka-princess-mononoke","title":"Ashitaka - Princess Mononoke","description":"\u003cp\u003eAn original production cel, Ghibli background and matching douga of Ashitaka from \u003cstrong\u003ePrincess Mononoke\u003c\/strong\u003e (1997), created at Studio Ghibli. Ashitaka is shown with his hood up, framed against a wall of fire - the image stripped down to pure resolve and motion as the film's human conflict spills into open violence.\u003c\/p\u003e\n\u003cp\u003eThe design language is classic \u003cstrong\u003eMononoke\u003c\/strong\u003e-era Ghibli: built for weight rather than cuteness, with disciplined anatomy, restrained expression, and a silhouette that reads instantly even when the scene is lit by chaos. That clarity comes directly from the film's character design and animation supervision approach, where performance is carried by line confidence and controlled simplification rather than exaggeration.\u003c\/p\u003e\n\u003cp\u003eThe background is an original Studio Ghibli production background, hand-painted in gouache. The setup is accompanied by its matching douga in graphite and coloured pencil, with colour callouts and a red-ink colour note — anchoring the piece directly to the studio workflow rather than letting it live as a detached character cel.\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Ashitaka\u003cbr\u003e\u003cstrong\u003eFilm: \u003c\/strong\u003ePrincess Mononoke (1997)\u003cbr\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Hayao Miyazaki\u003cbr\u003e\u003cstrong\u003eStudio:\u003c\/strong\u003e Studio Ghibli\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Original production cel with original Studio Ghibli production background and douga\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Hand-painted acetate cel; gouache production background on board; graphite and coloured pencil animation drawing\u003cbr\u003eProvenance: Acquired through Heritage Auctions\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Cel and background in very good condition with minor handling and edge wear from production. Animation drawing shows surface scuffing and light paint residue, in damaged condition.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52466399084890,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/ashitaka-princess-mononoke-3984662.jpg?v=1767556419"},{"product_id":"sailor-chibi-moon-sailor-moon","title":"Key Master: Super Sailor Chibi Moon - Sailor Moon","description":"\u003cp\u003eAn original hand-painted \u003cstrong\u003eproduction cel \u003c\/strong\u003eof Super Sailor Chibi Moon from Sailor Moon's classic 1990s era at Toei Animation, preserved together with its \u003cstrong\u003ematching original production background\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eChibiusa is captured mid-wink in her Super Sailor form - playful and confident, in the phase of the series where she fully steps into her power. It's one of those expressions that instantly reminds you why she became such a fan favourite.\u003c\/p\u003e\n\u003cp\u003eThe cel remains paired with its original gouache-painted background, giving the piece its full colour depth and the exact feel it had during broadcast photography. Marked A6 in the upper right, it carries a clear studio production identifier from Toei's workflow.\u003c\/p\u003e\n\u003cp\u003eComplete setups like this from Sailor Moon's hand-painted era are getting harder to find, especially with background intact and colours this strong.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eSuper Sailor Chibi Moon\u003cbr\u003e\u003cstrong\u003eSeries: \u003c\/strong\u003eSailor Moon (SuperS era, c. 1995–1996)\u003cbr\u003e\u003cstrong\u003eStudio: \u003c\/strong\u003eToei Animation\u003cbr\u003e\u003cstrong\u003eType: \u003c\/strong\u003eOriginal hand-painted production cel with matching production background\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Paint on acetate; gouache production background on board\u003cbr\u003e\u003cstrong\u003eAuthentication: \u003c\/strong\u003eORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eCel in great condition with mild production handling, edge wear, and minor linework fading. Background trimmed and in very good condition.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e Acquired through Heritage Auctions\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52466461671770,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/key-master-sailor-chibi-moon-sailor-moon-3755828.jpg?v=1771368100"},{"product_id":"simba-timon-and-pumbaa-the-lion-king","title":"Simba, Timon and Pumbaa – The Lion King","description":"\u003cp\u003eAn original hand-painted illustration created for the published cover of The Pal Patrol (Disney's Storytime Treasures Library, Volume 1). The image features Simba, Timon, and Pumbaa with Pride Rock beyond — executed in studio gouache on illustration board with clean linework and saturated colour typical of late-1990s Disney publishing artwork.\u003c\/p\u003e\n\u003cp\u003eThe Pal Patrol launched as Volume 1 in the Storytime Treasures Library series, first released in November 1997 by Advance Publishers with a 2006 reprint edition following. This painting represents the pre-digital workflow used for Disney's licensed book covers, produced as final camera-ready art for reproduction.\u003c\/p\u003e\n\u003cp\u003eWorks like this mark the final generation of Disney book art painted directly on board, each brushstroke intended for direct camera reproduction before digital files replaced studio painters entirely. The composition — the three leads gathered before Pride Rock — distils the spirit of The Lion King into a single self-contained image meant for millions of readers worldwide.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Simba, Timon \u0026amp; Pumbaa — The Pal Patrol Cover Painting\u003cbr\u003e\u003cstrong\u003ePublication:\u003c\/strong\u003e The Pal Patrol (Disney's Storytime Treasures Library, Vol. 1)\u003cbr\u003e\u003cstrong\u003eOriginal Film:\u003c\/strong\u003e The Lion King (1994), directed by Roger Allers and Rob Minkoff\u003cbr\u003e\u003cstrong\u003ePublisher: \u003c\/strong\u003eAdvance Publishers (first release November 1997; reprinted 2006)\u003cbr\u003e\u003cstrong\u003eIllustrators:\u003c\/strong\u003e Phil Ortiz, Dean Kleven, Diana Wakeman\u003cbr\u003e\u003cstrong\u003eStudio:\u003c\/strong\u003e Walt Disney Publishing\u003cbr\u003e\u003cstrong\u003eType: \u003c\/strong\u003eOriginal book cover painting\u003cbr\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eGouache and ink on illustration board\u003cbr\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e Produced as final camera-ready art for the published cover of The Pal Patrol, Storytime Treasures Library Vol. 1\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent. Slight handling at the edges and gentle natural waviness from the paint, typical of hand-rendered artwork.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52565707784538,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/simba-timon-and-pumbaa-the-lion-king-3964151.jpg?v=1776928157"},{"product_id":"key-master-lupin-iii-part-ll-1978","title":"Key Master: Lupin III - Part ll","description":"\u003cp\u003e\u003cstrong\u003eAn original key master setup\u003c\/strong\u003e from Lupin the Third: Part II, Episode 21, produced by TMS Entertainment in 1978. The hand-painted setup features Lupin in the memorable massage sequence — a comedic moment from the series' golden period. The cel and its original matching background form a complete key master composition, used exactly as seen on screen.\u003c\/p\u003e\n\u003cp\u003eThe episode belongs to the earlier run of Lupin III: Part II, a series defined by the grounded humour and tactile performance style that TMS built its reputation on. The expressive posture of Lupin and the handling of the towel reflect the subtle animation realism that would come to characterise Japanese action-comedy animation through the late 1970s and early 1980s.\u003c\/p\u003e\n\u003cp\u003eComplete key master setups from Lupin III: Part II are exceptionally scarce — backgrounds from this era were typically separated from cels and discarded, making intact compositions increasingly uncommon.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eLupin III - The Massage Scene\u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Lupin the Third: Part II\u003cbr\u003e\u003cstrong\u003eEpisode:\u003c\/strong\u003e 21 (1978)\u003cbr\u003e\u003cstrong\u003eStudio:\u003c\/strong\u003e TMS Entertainment \/ Tokyo Movie Shinsha\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Original key master cel setup with matching background\u003cbr\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eHand-painted acetate on matching gouache background\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Cel and background stuck. Genga shows handling and edge damage.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52567804379482,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/key-master-lupin-iii-part-ll-6268928.jpg?v=1765976436"},{"product_id":"yugi-yugioh","title":"Yugi Mutou - Yu-Gi-Oh!","description":"\u003cp\u003eA hand-painted promotional cel of Yugi Mutou from Yu-Gi-Oh! (1998 Toei TV series), Episode 9: \"Explosion - The Ultimate Secret Yo-Yo Technique.\" Commissioned by Toei Animation for the studio's official Episode 9 page ahead of the show's first broadcast, where the cel image remains published today.\u003c\/p\u003e\n\u003cp\u003eUnlike ordinary production cels, this promotional piece was produced in single-copy form for marketing display - making it \u003cstrong\u003eone of the only surviving 1998 Toei Yu-Gi-Oh! cels in private hands\u003c\/strong\u003e. Original cels from the 1998 Toei series rarely surface on the Western market; examples from the series' marketing pipeline are rarer still.\u003c\/p\u003e\n\u003cp\u003eThe artwork captures Yugi's early-series design and the expressive, pre-digital colour palette emblematic of Toei's 1990s period, matched 1:1 with the scene as it aired.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eYugi Mutou (Episode 9 Promotional Cel)\u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Yu-Gi-Oh! 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Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eExcellent - minor line fade and handling consistent with studio archival storage.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52712079065434,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/yugi-mutou-yu-gi-oh-6746157.jpg?v=1770787960"},{"product_id":"key-master-setup-shinnosuke-nohara-crayon-shin-chan","title":"Key Master: Shinnosuke Nohara - Crayon Shin-chan","description":"\u003cp\u003eShin-Ei Animation, 1992. Original hand-painted key master cel setup with matching production background.\u003c\/p\u003e\n\u003cp\u003eAn original key master setup from Crayon Shin-chan (クレヨンしんちゃん), Episode 23 — \"Dad's Picking Up\" — produced by Shin-Ei Animation in 1992. The hand-painted setup features Shinnosuke Nohara in a close-up pose, paired with its matching painted background and used across five consecutive cuts in the episode.\u003c\/p\u003e\n\u003cp\u003eThe piece belongs to the earliest broadcast year of Crayon Shin-chan, capturing the bold colours and blunt comedic framing that defined Yoshito Usui's creation in its original form. Cels from this era were painted and photographed entirely by hand, before the series moved to digital production in the 2000s — making well-preserved key masters from 1992 increasingly uncommon.\u003c\/p\u003e\n\u003cp\u003eKey master setups are created to establish scene staging and motion continuity, meaning the cel and background were used together as the visual reference for an entire sequence. The fact that this one covers five consecutive cuts extends its footprint across a meaningful stretch of screen time.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eShinnosuke Nohara — Episode 23, \"Dad's Picking Up\"\u003cbr\u003e\u003cstrong\u003eSeries: \u003c\/strong\u003eCrayon Shin-chan (クレヨンしんちゃん)\u003cbr\u003e\u003cstrong\u003eEpisode: \u003c\/strong\u003e23 (1992)\u003cbr\u003e\u003cstrong\u003eOriginal Manga:\u003c\/strong\u003e Yoshito Usui (serialised in Weekly Manga Action)\u003cbr\u003e\u003cstrong\u003eStudio:\u003c\/strong\u003e Shin-Ei Animation\u003cbr\u003e\u003cstrong\u003eType: \u003c\/strong\u003eOriginal key master cel setup (used across five consecutive cuts)\u003cbr\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eHand-painted acetate on matching gouache background\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent - minor waviness and handling consistent with studio use.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52712355201370,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/key-master-shinnosuke-nohara-crayon-shin-chan-2195756.jpg?v=1776928166"},{"product_id":"key-master-pokemon-complete-production-archive","title":"Complete Production Archive: Whichever Way the Wind Blows (Keymaster) - Pokémon","description":"\u003cp\u003eA fully intact production archive from an ensemble scene of Pokémon, preserving every stage of the cel animation pipeline from pre-visualisation to final painted cel. All documents belong to the same scene - Cut 43 (C.43) — giving the set unified single-shot provenance that is nearly unheard of on the market for television animation material.\u003cbr\u003e \u003cbr\u003eThe scene is from \"Whichever Way the Wind Blows\" (キレイハナとラフレシア！そうげんのへいわ！ \/ Kireihana to Ruffresia! Sougen no Heiwa!), \u003cstrong\u003eepisode 239\u003c\/strong\u003e of the original Pokémon animated series (Pokémon: Master Quest, Season 5 Episode 30), first broadcast in Japan on March 7, 2002. The episode is positioned between Ash's seventh and eighth Johto gym badges, on the road to Blackthorn City. The narrative centres on Steven, a Grass Pokémon field researcher who is studying why Bellossom and Vileplume in a meadow evolve differently depending on the direction of the wind — his hypothesis involves trace amounts of Leaf Stone and Sun Stone fragments carried on northeasterly and northwesterly air currents. The cel captures the ensemble moment where Steven first meets Ash, Misty (holding Togepi), Brock, and Bayleef in the meadow as he explains the phenomenon.\u003cbr\u003e \u003cbr\u003eThe central ensemble cel is rendered in OLM's peak analogue production standard, with strong colour saturation and the studio's distinctive wispy-cloud sky work. The matching hand-painted production background places the group against a landscape of rolling mountains and warm daylight, preserving the exact composition as it appeared on screen.\u003cbr\u003e \u003cbr\u003eThe supporting production documents form the complete animation-pipeline chain for the cut:\u003cbr\u003e- Layout sheet (#229 \/ C.43, 15-frame duration), OLM-stamped with the studio's official production-approved stamp and a personal Hello Kitty 済 (sumi \/ \"completed\") mark from the production staffer who signed off on the cut. Sanctioned studio approval markings of this kind rarely leave OLM's internal archive.\u003cbr\u003e- Key genga (A-6) — the senior animator's primary ensemble drawing, carrying Japanese character-design page references for every figure in the scene (サトシ \/ カスミ \/ タケシ \/ トゲピー \/ ベイリーフ) and red-ink vermillion paint specifications for the characters' rucksacks.\u003cbr\u003e- Three dougas (A-0', A-①, A-3') — the clean in-between drawings covering Steven's animated motion across the cut and the group's separate layer.\u003cbr\u003e- Motion path chart (C-②) — the production camera\/action timing document with RP40M\/RP60M trajectory markers specifying the object movement across frames 40 and 60.\u003cbr\u003e- Composite master sheet (B-0' \/ 合成の親) — the compositing alignment reference sheet, literally titled \"parent of the composite\" in Japanese production terminology. This is the sheet that tells the compositor how to layer every element of the cut.\u003cbr\u003e \u003cbr\u003eThe through-line across all nine documents is the C.43 cut notation, which appears on the layout and on the finished cel. This cut-number continuity is the strongest authentication link that exists in the cel market — it confirms that every document in the set was produced for the same fifteen frames of screen time. Without matching cut numbers, an asserted \"complete production archive\" could theoretically be assembled from unrelated pieces. The C.43 chain rules that out.\u003cbr\u003e \u003cbr\u003ePokémon television series cels surface with some regularity on the Western market. Complete production archives of this depth from a single Johto-era cut do not. Sets that include the layout, the composite master, and the motion path chart typically remain inside studio archives or surface only through sanctioned deaccessions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eWhichever Way the Wind Blows - Complete Production Archive\u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Pokémon (Pokémon: Master Quest, Season 5)\u003cbr\u003e\u003cstrong\u003eEpisode:\u003c\/strong\u003e EP239 \"Whichever Way the Wind Blows\" (キレイハナとラフレシア！そうげんのへいわ！)\u003cbr\u003e\u003cstrong\u003eFirst Aired:\u003c\/strong\u003e March 7, 2002 (Japan) \/ March 22, 2003 (US)\u003cbr\u003e\u003cstrong\u003eCut:\u003c\/strong\u003e C.43 (15-frame duration)\u003cbr\u003e\u003cstrong\u003eScene:\u003c\/strong\u003e Ensemble meeting with Steven, the Grass Pokémon researcher\u003cbr\u003e\u003cstrong\u003eChief Director:\u003c\/strong\u003e Kunihiko Yuyama\u003cbr\u003e\u003cstrong\u003eStudio:\u003c\/strong\u003e OLM, Inc.\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Complete production archive — 2 cels, 1 matching hand-painted production background, 6 production documents (layout, key genga, 3 dougas, motion path chart, composite master sheet)\u003cbr\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eHand-painted acetate cels; hand-painted gouache production background on board; graphite and coloured pencil production drawings on animation paper\u003cbr\u003e\u003cstrong\u003eProduction Notation:\u003c\/strong\u003e OLM studio stamp; production-approved 済 (sumi) stamp; Hello Kitty personal approval mark from production staff\u003cbr\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e Acquired through Japanese auction channels\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Certificate of Authenticity. All documents cross-verified via C.43 cut-number continuity. Scene attribution verified by direct frame-match against official episode playback.\u003cbr\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eCels, background, and production documents in very good to excellent overall condition, with handling and production marks consistent with intended studio use. Full condition report available on request.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":54046926078298,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/key-master-steven-encounter-complete-production-archive-6899458.jpg?v=1776954990"}],"url":"https:\/\/oriogi.com\/collections\/available-works.oembed?page=2","provider":"ORIOGI オリオギ","version":"1.0","type":"link"}