{"title":"Past Works","description":"\u003cp\u003ePast works, now part of someone elses collection.\u003c\/p\u003e","products":[{"product_id":"ariel-flounder-original-production-cel-with-dougas","title":"Ariel \u0026 Flounder – The Little Mermaid","description":"\u003cp class=\"p1\"\u003eAn original production cel of \u003cstrong\u003eAriel and Flounder from “The Great Sebastian,” an early episode of Disney’s The Little Mermaid television series first aired in 1992\u003c\/strong\u003e. The scene captures Ariel during Disney’s expansion of Atlantica beyond the original feature film, carrying the same sense of curiosity and warmth that defined the character during the studio’s renaissance era. The piece is further \u003cstrong\u003esigned by Jodi Benson, the original voice of Ariel\u003c\/strong\u003e, whose performance became inseparable from the character itself across both film and television.\u003c\/p\u003e\n\u003cp\u003eAriel appears here beside Flounder with the same expressive character construction established in the 1989 feature, carrying over the soft facial shapes, flowing hair movement and bright underwater palette that defined Disney’s renaissance-era animation. The television series adapted those cinematic designs into a faster-paced production environment while still preserving the warmth and readability that made Ariel one of Disney’s most recognisable animated characters. Flounder’s rounded silhouette and exaggerated reactions balance the frame in the classic Disney television style, where strong expressions and clean staging carried the energy of each scene.\u003c\/p\u003e\n\u003cp\u003eIncluded alongside the cel are two original production drawings used during the animation process. These studio-used dougas preserve the animators’ graphite linework beneath the finished painted frame and document the progression from rough movement planning to photographed cel setup. Together, the materials offer a direct look into Disney’s traditional hand-drawn production workflow during the early 1990s television animation period.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eAriel \u0026amp; Flounder\u003cbr\u003e\u003cstrong\u003eFilm:\u003c\/strong\u003e The Little Mermaid TV Series - “The Great Sebastian”\u003cbr\u003e\u003cstrong\u003eDirector: \u003c\/strong\u003eDale Case\u003cbr\u003e\u003cstrong\u003eCharacter Design:\u003c\/strong\u003e Walt Disney Television Animation\u003cbr\u003e\u003cstrong\u003eStudio: \u003c\/strong\u003eWalt Disney Television Animation\u003cbr\u003e\u003cstrong\u003eType: \u003c\/strong\u003eOriginal production cel with 2 matching production drawings\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Hand-painted acetate cel with graphite production drawings on animation paper\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Disney Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Minor age-related wear consistent with studio-used animation material. Production drawings included. No reproduction elements present.\u003c\/p\u003e","brand":"ORIOGI","offers":[{"title":"Default Title","offer_id":52009961783642,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/ariel-flounder-the-little-mermaid-9302415.jpg?v=1779745406"},{"product_id":"ash-ketchum","title":"Ash Ketchum – Pokémon: The First Movie (7 piece set)","description":"\u003cp\u003eA complete seven-piece production set (3 cels, 3 gengas, 1 matching background) from Pokémon: The First Movie (1998), created at OLM for the sequence where Ash Ketchum throws his first Pokéball of the film - the exact moment the Pokémon Theme (\"I wanna be the very best \/ Gotta catch 'em all\") enters the score for the first time in a theatrical context with matching background. One of the most musically and culturally embedded beats in the entire Pokémon animated canon.\u003c\/p\u003e\n\u003cp\u003eThe set comprises three hand-painted production cels across the throw sequence, each paired with its matching genga and matching background. The compositions show Ash against the film's distinctive wispy-stratus sky - the instantly recognisable OLM cloud treatment that defined Pokémon: The First Movie's visual language.\u003c\/p\u003e\n\u003cp\u003eComplete multi-frame sets from Pokémon: The First Movie rarely surface on the market, and complete sets including gengas specifically covering the first-Pokéball-throw scene are singular. The matched cel-and-genga pairings provide the strongest possible authentication link within cel archives: the genga line work can be overlaid against the cel's ink to confirm production continuity. The custom background places the entire set in-scene.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Ash Ketchum - First Pokéball Throw (Complete Production Set)\u003cbr\u003e\u003cstrong\u003eFilm:\u003c\/strong\u003e Pokémon: The First Movie (1998)\u003cbr\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Kunihiko Yuyama\u003cbr\u003e\u003cstrong\u003eStudio:\u003c\/strong\u003e OLM, Inc.\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e 3 original production cels + 3 matching gengas + 1 matching background (7 pieces total)\u003cbr\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eHand-painted acetate cels; graphite and coloured pencil animation drawings; matching background\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Cels in excellent condition with strong colour saturation. Gengas\/dougas in good condition with handling wear consistent with production use. Background intact and well-preserved.\u003cbr\u003e\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52009984721242,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/ash-ketchum-pokemon-the-first-movie-7-piece-set-2247682.jpg?v=1770787975"},{"product_id":"my-neighbor-totoro-original-production-cel","title":"Satsuki – My Neighbor Totoro","description":"\u003cp\u003eA hand-painted production cel of Satsuki on the telephone, from Hayao Miyazaki's classic \u003cstrong\u003eMy Neighbor Totoro\u003c\/strong\u003e. Created in 1988 at Studio Ghibli, the film remains one of the most iconic works in Japanese animation — its warmth and quiet magic shaping how audiences worldwide imagine childhood and wonder.\u003c\/p\u003e\n\u003cp\u003eThe cel was painted by hand on acetate, photographed against a painted background, and used directly in the making of the film. Every brushstroke, every ink line represents the precise frame captured on camera during production. Unlike reproductions or sericels, this is a unique one-of-one artefact of cinema history.\u003c\/p\u003e\n\u003cp\u003eFew Ghibli pieces survive on the market — most were destroyed or archived after production. This cel preserves a fleeting moment of Miyazaki's hand-crafted storytelling, an authentic fragment of one of the most influential animated films ever made.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Satsuki on the Telephone\u003cbr\u003e\u003cstrong\u003eFilm: \u003c\/strong\u003eMy Neighbor Totoro (1988)\u003cbr\u003e\u003cstrong\u003eDirector: \u003c\/strong\u003eHayao Miyazaki\u003cbr\u003e\u003cstrong\u003eAnimation Director:\u003c\/strong\u003e Yoshiharu Sato\u003cbr\u003e\u003cstrong\u003eStudio: \u003c\/strong\u003eStudio Ghibli\u003cbr\u003e\u003cstrong\u003eScene Timestamp:\u003c\/strong\u003e 01:06:16\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Original hand-painted production cel\u003cbr\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003ePaint on acetate\u003cbr\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e Studio-used, not a reproduction\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003eCondition: Cel in good condition with edge paint flaking present.\u003c\/p\u003e","brand":"ORIOGI","offers":[{"title":"Default Title","offer_id":52010223501658,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/satsuki-my-neighbor-totoro-9497226.jpg?v=1776928165"},{"product_id":"1989-kiki-s-delivery-service-original-production-cel","title":"Kiki in the Bakery – Kiki’s Delivery Service","description":"\u003cp\u003eAn original production cel of Kiki from Kiki's Delivery Service (1989), directed by Hayao Miyazaki and produced by Studio Ghibli. The cel captures Kiki carrying her bag through the bakery — a quiet moment that distils her mix of determination and humility as she begins life on her own.\u003c\/p\u003e\n\u003cp\u003eThis sequence exemplifies the restrained realism that defined Ghibli's late-1980s work. The cel was hand-painted on acetate and photographed over a gouache background for use in the final cut of the film. Every brushstroke reflects the studio's meticulous layering of motion, light, and texture that brought Miyazaki's world to life.\u003c\/p\u003e\n\u003cp\u003eOne of the film's understated beats, the bakery scenes show Kiki at her most grounded - no flight, no magic, just the early labour of a young person finding her way into the world. That quality, rendered with Ghibli's full production discipline, is what makes cels from these passages quietly valuable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eKiki in the Bakery\u003cbr\u003e\u003cstrong\u003eFilm: \u003c\/strong\u003eKiki's Delivery Service (1989)\u003cbr\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Hayao Miyazaki\u003cbr\u003e\u003cstrong\u003eAnimation Directors:\u003c\/strong\u003e Katsuya Kondō, Yoshifumi Kondō \u0026amp; Shinji Otsuka\u003cbr\u003e\u003cstrong\u003eCharacter Design:\u003c\/strong\u003e Katsuya Kondō\u003cbr\u003e\u003cstrong\u003eStudio:\u003c\/strong\u003e Studio Ghibli\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Original production cel with matching background\u003cbr\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eHand-painted acetate cel on giclée background\u003cbr\u003e\u003cstrong\u003eAuthentication: \u003c\/strong\u003eORIOGI オリオギ certified. Includes Certificate of Authenticity. \u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent overall. Minor aging and light edge wear consistent with late-1980s acetate, with small areas of paper adhered to the reverse paint layer. No cracking, warping, or pigment loss visible.\u003c\/p\u003e","brand":"ORIOGI","offers":[{"title":"Default Title","offer_id":52010239852890,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/kiki-in-the-bakery-kikis-delivery-service-2431526.jpg?v=1776928167"},{"product_id":"super-saiyan-goku-dragon-ball-z","title":"Super Saiyan Goku - Dragon Ball Z (Koizumi)","description":"\u003cp\u003eAn original hand-painted production cel of \u003cstrong\u003eSuper Saiyan Goku\u003c\/strong\u003e, created for a licensed Dragon Ball Z commercial campaign and produced within Toei Animation's workflow for Koizumi Desk in the mid-1990s. Key animation by Naotoshi Shida.\u003c\/p\u003e\n\u003cp\u003eCommercial cels produced for Dragon Ball Z advertising are significantly rarer than television-used material. They were created in far smaller quantities, often discarded after use, and almost never preserved through official studio channels. ORIOGI is pleased to present an intact example from this short-lived Koizumi Desk licensed-commercial pipeline.\u003c\/p\u003e\n\u003cp\u003eThe cel features Super Saiyan Goku depicted upside down in a dynamic, high-energy pose, diagonal perspective, exaggerated motion, visual impact. These are hallmarks of Dragon Ball Z's 1990s promotional animation language, where commercial work allowed for bolder compositions, isolated character poses, and more extreme framing than weekly episode production typically permitted.\u003c\/p\u003e\n\u003cp\u003eThe artwork captures Goku in his classic Super Saiyan design with sharp linework, saturated colours, and the muscular proportions characteristic of Dragon Ball Z's mid-1990s visual identity, an era closely associated with key animators like Naotoshi Shida, whose commercial and promotional work helped define the franchise's kinetic style beyond television episodes.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Super Saiyan Goku (Koizumi Desk Commercial)\u003cbr\u003e\u003cstrong\u003eSeries: \u003c\/strong\u003eDragon Ball Z\u003cbr\u003e\u003cstrong\u003eKey Animation:\u003c\/strong\u003e Naotoshi Shida\u003cbr\u003e\u003cstrong\u003eStudio: \u003c\/strong\u003eToei Animation\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Original hand-painted production cel created for licensed commercial animation\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Paint on acetate with custom giclée background for display\u003cbr\u003e\u003cstrong\u003eAuthentication: \u003c\/strong\u003eORIOGI オリオギ \u0026amp; Mandarake Certificates of Authenticity\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Good production-used condition — light handling wear consistent with original studio use.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52059779203418,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/super-saiyan-goku-dragon-ball-z-7776128.jpg?v=1765976441"},{"product_id":"master-roshi-dragon-ball-z","title":"Master Roshi – Dragon Ball Z","description":"\u003cp\u003eAn original production cel of Master Roshi from Dragon Ball Z, created at Toei Animation during the early 1990s hand-painted era. Roshi is shown mid-motion during a tournament setting — sunglasses on, body pitched forward, hand raised in a defensive or interrupting gesture. This is Roshi as referee, teacher, and martial arts authority — not the spectacle fighter, but the one who still controls the room.\u003c\/p\u003e\n\u003cp\u003eVisually, this is classic early Z. Heavy linework, warm skin tones, and a thick paint application typical of episodes animated under Chief Animation Directors like Minoru Maeda and Katsuyoshi Nakatsuru, whose work carried the physicality of late Dragon Ball into the first half of Z. Roshi's exaggerated facial geometry and sharp hand pose reflect the studio's focus at the time: clarity of movement over flashy effects.\u003c\/p\u003e\n\u003cp\u003eThe cel is paired with a hand-painted background consistent with a World Martial Arts Tournament sequence or related arena scene. Tournament cuts were animated with higher contrast and cleaner staging, as they needed to read quickly with multiple characters on screen. That staging discipline is visible here — Roshi is dead centre, framed to command attention without movement excess.\u003c\/p\u003e\n\u003cp\u003eAction-focused Roshi cels from Z are increasingly difficult to find. By this period, Roshi rarely performed signature techniques; his role had shifted into commentary, rule-setting, and the occasional physical reminder that he was still dangerous when provoked. That makes moments like this - animated, engaged, and forceful — far scarcer than comedic reaction shots.\u003c\/p\u003e\n\u003cp\u003eMaster Roshi is where Dragon Ball began. Before transformations and power levels, there was technique, discipline, and one old master teaching the world how energy should move. This cel captures that lineage in a single frame.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Master Roshi\u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Dragon Ball Z\u003cbr\u003e\u003cstrong\u003eDirector: \u003c\/strong\u003eDaisuke Nishio\u003cbr\u003e\u003cstrong\u003eStudio:\u003c\/strong\u003e Toei Animation\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Original production cel with matching hand-painted background\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Hand-painted acetate cel on hand-painted background\u003cbr\u003e\u003cstrong\u003eBackground: \u003c\/strong\u003eHand-painted, consistent with studio-era Toei production material. Studio provenance not formally verified at time of listing.\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eCel and background in very good condition with minor line and paint wear consistent with broadcast use. Production markings present.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52059803189594,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/master-roshi-dragon-ball-z-8701711.jpg?v=1776928168"},{"product_id":"pikachu-pokemon-the-series","title":"Pikachu - Pikachu's Vacation, Pokémon: The Movie","description":"\u003cp\u003eAn original production cel of Pikachu from Pokémon: The Movie, created during the late 1990s hand-painted era at OLM. Pikachu is shown under a full moon - small against a wide field and distant tree line, the kind of quiet cut that slips in between battles when the show lets you simply follow Ash's partner on his own. It feels like a pause between routes, when the journey is still long and the night does most of the talking.\u003c\/p\u003e\n\u003cp\u003eThe drawing is classic Pokémon: The Movie era Pikachu: rounded cheeks, compact body, and the slightly squared ears that defined the look before later redesigns softened him further. The pose captures a soft, almost melancholic moment — arms outstretched as if calling into the dark. This is the version of Pikachu that fronted the earliest games, cards, and movie posters as the franchise first went global.\u003c\/p\u003e\n\u003cp\u003eThe original background for this cut is not present. Instead, the cel is paired with a custom archival giclée background based on another Pokémon forest scene, reworked into a moonlit landscape to match Pikachu's scale and mood. The pairing keeps the production cel fully honest while giving the piece a cinematic sense of space, allowing Pikachu to read clearly even from across the room.\u003c\/p\u003e\n\u003cp\u003ePikachu is one of the few characters in anime whose silhouette alone can carry a scene, and this cel leans into that completely — small, bright, forward-moving under a huge sky. It condenses the feeling of the early journeys with Ash into a single frame.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Pikachu\u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Pokémon: The Movie\u003cbr\u003e\u003cstrong\u003eChief Director: \u003c\/strong\u003eKunihiko Yuyama\u003cbr\u003e\u003cstrong\u003eStudio:\u003c\/strong\u003e OLM, Inc.\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Original production cel with custom giclée background\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Hand-painted acetate cel; archival pigment giclée background on fine art paper\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Cel in very good condition with light line and paint wear consistent with age. Minor cel waviness present. Custom background not original to production.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52064035864922,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/pikachu-pokemon-5348360.jpg?v=1776928169"},{"product_id":"satsuki-my-neighbor-totoro","title":"Satsuki - My Neighbor Totoro","description":"\u003cp\u003eAn original production cel and matching genga of \u003cstrong\u003eSatsuki from My Neighbor Totoro\u003c\/strong\u003e (1988), directed by Hayao Miyazaki and produced by \u003cstrong\u003eStudio Ghibli\u003c\/strong\u003e. The piece shows Satsuki running barefoot in her orange skirt and yellow blouse during the early sequence where she and Mei explore their new countryside home — one of the film's most joyful and recognisable introductions.\u003c\/p\u003e\n\u003cp\u003eCreated under the supervision of Animation Director Yoshiharu Sato, whose expressive character work defined both sisters, this cel captures the natural motion and sincerity that became central to Miyazaki's visual language. Each cel was photographed on 35mm film, with multiple acetate layers used to achieve depth and fluidity.\u003c\/p\u003e\n\u003cp\u003eCels from Totoro's early exploration scenes are not a common find - thin-gauge acetate from this period often yellowed or warped over time, making well-preserved examples increasingly uncommon.\u003c\/p\u003e\n\u003cp\u003eThis cel belongs to Ghibli's transitional era between Laputa: Castle in the Sky (1986) and Kiki's Delivery Service (1989), a period that refined the studio's colour philosophy and motion realism.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eSatsuki\u003cbr\u003e\u003cstrong\u003eFilm:\u003c\/strong\u003e My Neighbor Totoro (1988)\u003cbr\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Hayao Miyazaki\u003cbr\u003e\u003cstrong\u003eAnimation Director: \u003c\/strong\u003eYoshiharu Sato\u003cbr\u003e\u003cstrong\u003eStudio:\u003c\/strong\u003e Studio Ghibli\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Original production cel with matching genga and matching background\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Hand-painted acetate; pencil on paper; giclée background on fine art paper\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eExcellent overall. Minor line fading and natural aging consistent with late-1980s acetate. No warping or structural damage affecting the cel's visual integrity.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52170377298266,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/satsuki-my-neighbor-totoro-1102769.jpg?v=1770787964"},{"product_id":"final-form-frieza-dragon-ball-z","title":"Final Form Frieza - Dragon Ball Z","description":"\u003cp\u003eAn original production cel and matching genga created for Dragon Ball Z, Episode 94, produced by Toei Animation in 1991. A complete production pairing from the climax of the Namek arc, the cel captures Frieza's chilling composure in the green sky of Planet Namek - one of the most pivotal moments of the Frieza Saga, immediately following the impact of the Genki-Dama.\u003c\/p\u003e\n\u003cp\u003eThis episode aired during the period when Minoru Maeda's character designs and Yukio Ebisawa's animation direction shaped the visual identity of early-1990s Dragon Ball Z. Their influence is visible in the precise anatomy, dense shading, and saturated Namek palette that distinguish this era. The stillness in Frieza's expression reflects the narrative tension that made the arc historic across shonen storytelling.\u003c\/p\u003e\n\u003cp\u003eComplete cel-and-douga pairings of Frieza's final form from this episode are unusual to come across. As a complete production pairing from the Namek arc, it offers a clear look at one of the series' defining moments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Final Form Frieza\u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Dragon Ball Z\u003cbr\u003e\u003cstrong\u003eEpisode:\u003c\/strong\u003e 94 - \"The Incredible Destructive Force of the Genki-Dama!! Who Will Survive?!\" (1991)\u003cbr\u003e\u003cstrong\u003eCharacter Designer:\u003c\/strong\u003e Minoru Maeda\u003cbr\u003e\u003cstrong\u003eAnimation Director: \u003c\/strong\u003eYukio Ebisawa\u003cbr\u003e\u003cstrong\u003eKey Animation: \u003c\/strong\u003eToyota Iida, Toshiyuki Kan'no, Takeo Ide, Hideko Okimoto\u003cbr\u003e\u003cstrong\u003eStudio: \u003c\/strong\u003eToei Animation\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Original production cel and matching genga\u003cbr\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eHand-painted acetate cel; graphite and coloured pencil animation drawing\u003cbr\u003e\u003cstrong\u003eAuthentication: \u003c\/strong\u003eORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Cel and genga in great condition.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52170431758682,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/final-form-frieza-dragon-ball-z-9058963.jpg?v=1770787958"},{"product_id":"team-rocket-pokemon-the-series","title":"Jessie, James \u0026 Meowth (Team Rocket) - Pokémon","description":"\u003cp\u003e\u003cstrong\u003eAn original production cel of Jessie, James, and Meowth from “A Friend in Deed,” Episode 24 of Pokémon: Adventures in the Orange Islands\u003c\/strong\u003e, first aired in Japan on January 7, 1999 and later released internationally during the height of Pokémania’s global expansion. The scene captures Team Rocket in one of the franchise’s most recognisable visual traditions - blasted directly toward the viewer in the aftermath of another failed scheme, moments before their familiar exit catchphrase lands.\u003c\/p\u003e\n\u003cp\u003eThe composition is pure late-1990s Pokémon television animation at OLM, Inc.: bold linework, saturated colour flats, and exaggerated perspective designed for maximum readability on broadcast television. Meowth sits at the centre of the frame while Jessie and James spiral around him, creating the kind of dynamic three-character setup that became synonymous with the series itself. The heavy foreshortening and explosive radial effects give the scene a physical energy that translates unusually well into display form, especially compared to more static dialogue cels from the same production period.\u003c\/p\u003e\n\u003cp\u003eThe original hand-painted production background from this sequence is not present. Instead, the cel is paired with a custom archival giclée background recreating the same explosive burst composition seen in the episode. The pairing preserves the visual rhythm and comedic impact of the original scene while keeping the production material itself fully transparent and honest.\u003c\/p\u003e\n\u003cp\u003eFew recurring moments in television animation became as instantly recognisable as Team Rocket “blasting off again,” and complete group compositions featuring Jessie, James, and Meowth together remain considerably harder to locate than single-character examples from the same era.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Team Rocket - Jessie, James \u0026amp; Meowth\u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Pokémon: Adventures in the Orange Islands\u003cbr\u003e\u003cstrong\u003eEpisode:\u003c\/strong\u003e “A Friend in Deed” - Episode 24\u003cbr\u003e\u003cstrong\u003eChief Director:\u003c\/strong\u003e Kunihiko Yuyama\u003cbr\u003e\u003cstrong\u003eStudio:\u003c\/strong\u003e OLM, Inc.\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Original production cel with custom giclée background\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Hand-painted acetate cel on standard 3-peg, 12-field production cel with archival pigment giclée background on fine art paper\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Cel in very good condition with minor line fading and light paint surface wear consistent with studio-used animation material. No sticking present between cel and background.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52176595091802,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/jessie-james-and-meowth-team-rocket-pokemon-the-series-6844117.jpg?v=1765976497"},{"product_id":"kiki-jiji-kikis-delivery-service","title":"Kiki \u0026 Jiji - Kiki's Delivery Service","description":"\u003cp\u003eAn original production cel of \u003cstrong\u003eKiki and Jiji from Kiki's Delivery Service (1989)\u003c\/strong\u003e, created at \u003cstrong\u003eStudio Ghibli\u003c\/strong\u003e. Kiki is caught in one of the softest moments of the opening sequence - leaning into Jiji with her eyes closed and cheeks flushed while the radio plays \"Rouge no Dengon\" and the film is still quietly promising that everything ahead will be simple and exciting.\u003c\/p\u003e\n\u003cp\u003eThe style is pure Katsuya Kondō: soft lines, open shapes, and the slightly oversized ribbon that came to define what most people think of as the \"Ghibli look.\" The pose carries the studio's habit of grounding fantasy in real gesture - a child's body genuinely reacting to a cat's weight, not a caricature of one.\u003c\/p\u003e\n\u003cp\u003eThe original background for this cut is not present. Instead, the cel is paired with a custom archival giclée background composed to echo the feeling of Kiki's early flight sequence, shifted into daylight rather than night: broad clouds, open air, and the sense that her whole new life is waiting just beyond the frame. The pairing keeps the production cel fully honest while giving the scene the presence and emotional clarity it deserves on the wall.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Kiki \u0026amp; Jiji\u003cbr\u003e\u003cstrong\u003eFilm:\u003c\/strong\u003e Kiki's Delivery Service (1989)\u003cbr\u003e\u003cstrong\u003eDirector: \u003c\/strong\u003eHayao Miyazaki\u003cbr\u003e\u003cstrong\u003eCharacter Design: \u003c\/strong\u003eKatsuya Kondō\u003cbr\u003e\u003cstrong\u003eStudio:\u003c\/strong\u003e Studio Ghibli\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Original production cel with custom giclée background\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Hand-painted acetate cel; archival pigment giclée background on fine art paper\u003cbr\u003e\u003cstrong\u003eAuthentication: \u003c\/strong\u003eORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Minor line fading and paint loss along edges; paper adhesion present on back of cel. Custom background not original to production.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52228390420826,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/kiki-jiji-kikis-delivery-service-3024844.jpg?v=1765976489"},{"product_id":"majin-vegeta-halo-dragon-ball-z","title":"Halo Vegeta - Dragon Ball Z","description":"\u003cp\u003eAn original production cel set of \u003cstrong\u003eVegeta from Episode 268 of Dragon Ball Z, titled “Union of Rivals,”\u003c\/strong\u003e first aired in Japan on June 28, 1995 during the Fusion Saga and final stages of the Majin Buu arc. The scene appears approximately 12 minutes into the episode, during the sequence where Vegeta returns from the afterlife and reunites with Goku on the Sacred World of the Kai as Super Buu closes in.  \u003c\/p\u003e\n\u003cp\u003eVegeta appears in Super Saiyan form bearing the halo that marks him as dead - temporarily returned to the living world through King Yemma’s intervention for one final battle. He wears the stripped-back black tank top and blue training pants that replaced his Saiyan armour during the later Buu arc, visually reinforcing how far the character had moved from the cold and pride-driven warrior first introduced earlier in the series. The pose is tense and confrontational, carrying the controlled anger that defined Vegeta’s late-series characterisation, while the halo remains suspended quietly above him as a constant reminder that this moment exists outside the normal boundaries of life and death.\u003c\/p\u003e\n\u003cp\u003eEpisode 268 itself marks one of the most important turning points in the entire Dragon Ball Z narrative. It is the episode where Goku attempts to convince Vegeta to fuse using the Potara earrings, leading directly into the creation of Vegito shortly afterwards. Much of the emotional weight of the episode comes not from combat itself, but from Vegeta’s lingering pride and refusal to accept fusion with Goku despite the destruction unfolding around them. The scene represented by this cel exists directly within that tension - the final evolution of a rivalry that had defined the series for years.  \u003c\/p\u003e\n\u003cp\u003eVisually, the setup reflects Toei Animation’s late-Buu-arc production style at full maturity. Dense aura linework, sharp angular facial construction and dramatic contrast between character lighting and darkened skies dominate the composition. The yellow energy source visible within the frame aligns with the escalating energy sequences surrounding the final confrontation, giving the scene the heavy atmosphere associated with the closing chapters of Dragon Ball Z.\u003c\/p\u003e\n\u003cp\u003eThe set remains fully authentic to production and has not been reproduced or recreated. Every painted surface originates directly from the original Dragon Ball Z animation process at Toei Animation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Halo Vegeta\u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Dragon Ball Z\u003cbr\u003e\u003cstrong\u003eEpisode:\u003c\/strong\u003e Episode 268 - “Union of Rivals”\u003cbr\u003e\u003cstrong\u003eArc: \u003c\/strong\u003eFusion Saga \/ Majin Buu Saga\u003cbr\u003e\u003cstrong\u003eDirector: \u003c\/strong\u003eDaisuke Nishio\u003cbr\u003e\u003cstrong\u003eStudio: \u003c\/strong\u003eToei Animation\u003cbr\u003e\u003cstrong\u003eType: \u003c\/strong\u003eOriginal production cel set\u003cbr\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eHand-painted acetate production cels\u003cbr\u003e\u003cstrong\u003eAuthentication: \u003c\/strong\u003eORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eCels remain in very good studio-used condition with minimal line wear and minor dust particles present between layers. Cel layers stuck together consistent with age and original production materials.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52379062239578,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/halo-vegeta-dragon-ball-z-6694450.jpg?v=1776928169"},{"product_id":"super-saiyan-vegeta-ascend-dragon-ball-z","title":"Super Saiyan Vegeta - Dragon Ball Z","description":"\u003cp\u003eTwo original production cels of Vegeta in Super Saiyan form from Episode 161 of Dragon Ball Z, “Super Vegeta Threatens,” first aired in Japan on August 25, 1993 during the height of the Cell Saga. The scene appears approximately 18 minutes into the episode, shortly after Vegeta emerges from the Hyperbolic Time Chamber and begins demonstrating the overwhelming increase in power that would define his “Super Vegeta” transformation against Semi-Perfect Cell.\u003c\/p\u003e\n\u003cp\u003eThe composition captures Vegeta diving forward engulfed in aura energy, his body driven almost entirely by momentum and aggression. It is one of the defining visual attitudes of the Android and Cell Saga period - Vegeta no longer fighting from desperation or survival, but from overwhelming pride and absolute confidence in his own power. The rigid posture, narrowed expression and explosive forward motion all reflect the characterisation that made the Cell arc version of Vegeta one of the most recognisable iterations in the entire franchise.\u003c\/p\u003e\n\u003cp\u003eThe cels preserve Toei Animation’s mid-series Dragon Ball Z visual language at full intensity. Vegeta wears the updated Saiyan armour variant introduced during the Android Saga, featuring the dark blue bodysuit with green shoulder pauldrons and brown torso plating that replaced his earlier Frieza Saga armour design. The dense aura effects, cloudy atmospheric background and aggressive perspective work reflect the period where Dragon Ball Z fully embraced large-scale energy compositions and layered effects animation to match the escalating scale of its battles.\u003c\/p\u003e\n\u003cp\u003eThe setup retains both original production cels together with a matching painted background used for display presentation. The cel is additionally marked “A16” in the upper right corner, preserving part of the original internal production notation from Toei Animation’s workflow pipeline. Paint saturation across the aura effects remains exceptionally strong, particularly for a heavily layered Dragon Ball Z action setup from the early 1990s, where dense energy effects frequently resulted in line fading and paint deterioration over time.\u003c\/p\u003e\n\u003cp\u003eSuper Saiyan Vegeta cels from the Cell Saga remain among the most sought-after pieces within surviving Dragon Ball Z production material, particularly examples featuring heavy aura animation and aggressive combat staging. Well-preserved effects-heavy setups with intact paint and strong colour retention are considerably scarcer than standard dialogue or static-frame cels from the same production era.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eSuper Saiyan Vegeta\u003cbr\u003e\u003cstrong\u003eSeries: \u003c\/strong\u003eDragon Ball Z\u003cbr\u003e\u003cstrong\u003eEpisode: \u003c\/strong\u003eEpisode 161 - “Super Vegeta Threatens”\u003cbr\u003e\u003cstrong\u003eArc: \u003c\/strong\u003eCell Saga\u003cbr\u003e\u003cstrong\u003eDirector: \u003c\/strong\u003eDaisuke Nishio\u003cbr\u003e\u003cstrong\u003eStudio: \u003c\/strong\u003eToei Animation\u003cbr\u003e\u003cstrong\u003eType: \u003c\/strong\u003eTwo original production cels with matching painted background\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Hand-painted acetate production cels with painted display background\u003cbr\u003e\u003cstrong\u003eProduction Notation:\u003c\/strong\u003e A16 production identifier present\u003cbr\u003e\u003cstrong\u003eAuthentication: \u003c\/strong\u003eORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Cels remain in excellent studio-used condition with minimal line wear and strong paint preservation throughout aura effects. Matching background included.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52379067580762,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/super-saiyan-vegeta-dragon-ball-z-5691568.jpg?v=1781320155"},{"product_id":"ashitaka-princess-mononoke","title":"Ashitaka - Princess Mononoke","description":"\u003cp\u003eAn original production cel, Ghibli background and matching douga of Ashitaka from \u003cstrong\u003ePrincess Mononoke\u003c\/strong\u003e (1997), created at Studio Ghibli. Ashitaka is shown with his hood up, framed against a wall of fire - the image stripped down to pure resolve and motion as the film's human conflict spills into open violence.\u003c\/p\u003e\n\u003cp\u003eThe design language is classic \u003cstrong\u003eMononoke\u003c\/strong\u003e-era Ghibli: built for weight rather than cuteness, with disciplined anatomy, restrained expression, and a silhouette that reads instantly even when the scene is lit by chaos. That clarity comes directly from the film's character design and animation supervision approach, where performance is carried by line confidence and controlled simplification rather than exaggeration.\u003c\/p\u003e\n\u003cp\u003eThe background is an original Studio Ghibli production background, hand-painted in gouache. The setup is accompanied by its matching douga in graphite and coloured pencil, with colour callouts and a red-ink colour note — anchoring the piece directly to the studio workflow rather than letting it live as a detached character cel.\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Ashitaka\u003cbr\u003e\u003cstrong\u003eFilm: \u003c\/strong\u003ePrincess Mononoke (1997)\u003cbr\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Hayao Miyazaki\u003cbr\u003e\u003cstrong\u003eStudio:\u003c\/strong\u003e Studio Ghibli\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Original production cel with original Studio Ghibli production background and douga\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Hand-painted acetate cel; gouache production background on board; graphite and coloured pencil animation drawing\u003cbr\u003eProvenance: Acquired through Heritage Auctions\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Cel and background in very good condition with minor handling and edge wear from production. Animation drawing shows surface scuffing and light paint residue, in damaged condition.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52466399084890,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/ashitaka-princess-mononoke-3984662.jpg?v=1767556419"},{"product_id":"meowth-pokemon-the-series","title":"Meowth - Pokémon","description":"\u003cp\u003eAn original hand-painted production cel of Meowth from the Pokémon anime, created during the original hand-painted era at OLM, Inc. between roughly 1997 and 2002. Meowth is instantly recognisable - Team Rocket's mascot, the only Pokémon who learned to speak human language, and a character who somehow managed to be funny, bitter, and emotional all at once across hundreds of episodes.\u003c\/p\u003e\n\u003cp\u003eThe cel captures Meowth exactly as remembered: full figure, expressive pose, bold outlines, and rich cel paint from the pre-digital era. Marked D8 in the upper right and presented over a printed background layout, it reflects how the piece would have lived in the studio before the painted background was composited underneath it for broadcast.\u003c\/p\u003e\n\u003cp\u003eA clean slice of Pokémon nostalgia from the period when every frame was painted by hand and characters like Meowth were brought to life one cel at a time.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Meowth (Team Rocket)\u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Pokémon: The Series\u003cbr\u003e\u003cstrong\u003eStudio: \u003c\/strong\u003eOLM, Inc.\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Original hand-painted production cel\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Paint on acetate with printed giclée background layout\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent — strong colour saturation, clean lines, and light handling wear consistent with studio use and age.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e Acquired through Heritage Auctions\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52466434343258,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/meowth-pokemon-the-series-4034425.jpg?v=1770787959"},{"product_id":"sailor-chibi-moon-sailor-moon","title":"Key Master: Super Sailor Chibi Moon - Sailor Moon","description":"\u003cp\u003eAn original hand-painted \u003cstrong\u003eproduction cel \u003c\/strong\u003eof Super Sailor Chibi Moon from Sailor Moon's classic 1990s era at Toei Animation, preserved together with its \u003cstrong\u003ematching original production background\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eChibiusa is captured mid-wink in her Super Sailor form - playful and confident, in the phase of the series where she fully steps into her power. It's one of those expressions that instantly reminds you why she became such a fan favourite.\u003c\/p\u003e\n\u003cp\u003eThe cel remains paired with its original gouache-painted background, giving the piece its full colour depth and the exact feel it had during broadcast photography. Marked A6 in the upper right, it carries a clear studio production identifier from Toei's workflow.\u003c\/p\u003e\n\u003cp\u003eComplete setups like this from Sailor Moon's hand-painted era are getting harder to find, especially with background intact and colours this strong.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eSuper Sailor Chibi Moon\u003cbr\u003e\u003cstrong\u003eSeries: \u003c\/strong\u003eSailor Moon (SuperS era, c. 1995–1996)\u003cbr\u003e\u003cstrong\u003eStudio: \u003c\/strong\u003eToei Animation\u003cbr\u003e\u003cstrong\u003eType: \u003c\/strong\u003eOriginal hand-painted production cel with matching production background\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Paint on acetate; gouache production background on board\u003cbr\u003e\u003cstrong\u003eAuthentication: \u003c\/strong\u003eORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eCel in great condition with mild production handling, edge wear, and minor linework fading. Background trimmed and in very good condition.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e Acquired through Heritage Auctions\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52466461671770,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/key-master-sailor-chibi-moon-sailor-moon-3755828.jpg?v=1771368100"},{"product_id":"key-master-setup-shinnosuke-nohara-crayon-shin-chan","title":"Key Master: Shinnosuke Nohara - Crayon Shin-chan","description":"\u003cp\u003eShin-Ei Animation, 1992. Original hand-painted key master cel setup with matching production background.\u003c\/p\u003e\n\u003cp\u003eAn original key master setup from Crayon Shin-chan (クレヨンしんちゃん), Episode 23 — \"Dad's Picking Up\" — produced by Shin-Ei Animation in 1992. The hand-painted setup features Shinnosuke Nohara in a close-up pose, paired with its matching painted background and used across five consecutive cuts in the episode.\u003c\/p\u003e\n\u003cp\u003eThe piece belongs to the earliest broadcast year of Crayon Shin-chan, capturing the bold colours and blunt comedic framing that defined Yoshito Usui's creation in its original form. Cels from this era were painted and photographed entirely by hand, before the series moved to digital production in the 2000s — making well-preserved key masters from 1992 increasingly uncommon.\u003c\/p\u003e\n\u003cp\u003eKey master setups are created to establish scene staging and motion continuity, meaning the cel and background were used together as the visual reference for an entire sequence. The fact that this one covers five consecutive cuts extends its footprint across a meaningful stretch of screen time.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eShinnosuke Nohara — Episode 23, \"Dad's Picking Up\"\u003cbr\u003e\u003cstrong\u003eSeries: \u003c\/strong\u003eCrayon Shin-chan (クレヨンしんちゃん)\u003cbr\u003e\u003cstrong\u003eEpisode: \u003c\/strong\u003e23 (1992)\u003cbr\u003e\u003cstrong\u003eOriginal Manga:\u003c\/strong\u003e Yoshito Usui (serialised in Weekly Manga Action)\u003cbr\u003e\u003cstrong\u003eStudio:\u003c\/strong\u003e Shin-Ei Animation\u003cbr\u003e\u003cstrong\u003eType: \u003c\/strong\u003eOriginal key master cel setup (used across five consecutive cuts)\u003cbr\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eHand-painted acetate on matching gouache background\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Certificate of Authenticity.\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent - minor waviness and handling consistent with studio use.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":52712355201370,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/key-master-shinnosuke-nohara-crayon-shin-chan-2195756.jpg?v=1776928166"},{"product_id":"key-master-pokemon-complete-production-archive","title":"Complete Production Archive: Whichever Way the Wind Blows (Keymaster) - Pokémon","description":"\u003cp\u003eA fully intact production archive from an ensemble scene of Pokémon, preserving every stage of the cel animation pipeline from pre-visualisation to final painted cel. All documents belong to the same scene - Cut 43 (C.43) — giving the set unified single-shot provenance that is nearly unheard of on the market for television animation material.\u003cbr\u003e \u003cbr\u003eThe scene is from \"Whichever Way the Wind Blows\" (キレイハナとラフレシア！そうげんのへいわ！ \/ Kireihana to Ruffresia! Sougen no Heiwa!), \u003cstrong\u003eepisode 239\u003c\/strong\u003e of the original Pokémon animated series (Pokémon: Master Quest, Season 5 Episode 30), first broadcast in Japan on March 7, 2002. The episode is positioned between Ash's seventh and eighth Johto gym badges, on the road to Blackthorn City. The narrative centres on Steven, a Grass Pokémon field researcher who is studying why Bellossom and Vileplume in a meadow evolve differently depending on the direction of the wind — his hypothesis involves trace amounts of Leaf Stone and Sun Stone fragments carried on northeasterly and northwesterly air currents. The cel captures the ensemble moment where Steven first meets Ash, Misty (holding Togepi), Brock, and Bayleef in the meadow as he explains the phenomenon.\u003cbr\u003e \u003cbr\u003eThe central ensemble cel is rendered in OLM's peak analogue production standard, with strong colour saturation and the studio's distinctive wispy-cloud sky work. The matching hand-painted production background places the group against a landscape of rolling mountains and warm daylight, preserving the exact composition as it appeared on screen.\u003cbr\u003e \u003cbr\u003eThe supporting production documents form the complete animation-pipeline chain for the cut:\u003cbr\u003e- Layout sheet (#229 \/ C.43, 15-frame duration), OLM-stamped with the studio's official production-approved stamp and a personal Hello Kitty 済 (sumi \/ \"completed\") mark from the production staffer who signed off on the cut. Sanctioned studio approval markings of this kind rarely leave OLM's internal archive.\u003cbr\u003e- Key genga (A-6) — the senior animator's primary ensemble drawing, carrying Japanese character-design page references for every figure in the scene (サトシ \/ カスミ \/ タケシ \/ トゲピー \/ ベイリーフ) and red-ink vermillion paint specifications for the characters' rucksacks.\u003cbr\u003e- Three dougas (A-0', A-①, A-3') — the clean in-between drawings covering Steven's animated motion across the cut and the group's separate layer.\u003cbr\u003e- Motion path chart (C-②) — the production camera\/action timing document with RP40M\/RP60M trajectory markers specifying the object movement across frames 40 and 60.\u003cbr\u003e- Composite master sheet (B-0' \/ 合成の親) — the compositing alignment reference sheet, literally titled \"parent of the composite\" in Japanese production terminology. This is the sheet that tells the compositor how to layer every element of the cut.\u003cbr\u003e \u003cbr\u003eThe through-line across all nine documents is the C.43 cut notation, which appears on the layout and on the finished cel. This cut-number continuity is the strongest authentication link that exists in the cel market — it confirms that every document in the set was produced for the same fifteen frames of screen time. Without matching cut numbers, an asserted \"complete production archive\" could theoretically be assembled from unrelated pieces. The C.43 chain rules that out.\u003cbr\u003e \u003cbr\u003ePokémon television series cels surface with some regularity on the Western market. Complete production archives of this depth from a single Johto-era cut do not. Sets that include the layout, the composite master, and the motion path chart typically remain inside studio archives or surface only through sanctioned deaccessions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eWhichever Way the Wind Blows - Complete Production Archive\u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Pokémon (Pokémon: Master Quest, Season 5)\u003cbr\u003e\u003cstrong\u003eEpisode:\u003c\/strong\u003e EP239 \"Whichever Way the Wind Blows\" (キレイハナとラフレシア！そうげんのへいわ！)\u003cbr\u003e\u003cstrong\u003eFirst Aired:\u003c\/strong\u003e March 7, 2002 (Japan) \/ March 22, 2003 (US)\u003cbr\u003e\u003cstrong\u003eCut:\u003c\/strong\u003e C.43 (15-frame duration)\u003cbr\u003e\u003cstrong\u003eScene:\u003c\/strong\u003e Ensemble meeting with Steven, the Grass Pokémon researcher\u003cbr\u003e\u003cstrong\u003eChief Director:\u003c\/strong\u003e Kunihiko Yuyama\u003cbr\u003e\u003cstrong\u003eStudio:\u003c\/strong\u003e OLM, Inc.\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Complete production archive — 2 cels, 1 matching hand-painted production background, 6 production documents (layout, key genga, 3 dougas, motion path chart, composite master sheet)\u003cbr\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eHand-painted acetate cels; hand-painted gouache production background on board; graphite and coloured pencil production drawings on animation paper\u003cbr\u003e\u003cstrong\u003eProduction Notation:\u003c\/strong\u003e OLM studio stamp; production-approved 済 (sumi) stamp; Hello Kitty personal approval mark from production staff\u003cbr\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e Acquired through Japanese auction channels\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e ORIOGI オリオギ certified. Includes Certificate of Authenticity. All documents cross-verified via C.43 cut-number continuity. Scene attribution verified by direct frame-match against official episode playback.\u003cbr\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eCels, background, and production documents in very good to excellent overall condition, with handling and production marks consistent with intended studio use. Full condition report available on request.\u003c\/p\u003e","brand":"ORIOGI オリオギ","offers":[{"title":"Default Title","offer_id":54046926078298,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0970\/9040\/4698\/files\/key-master-steven-encounter-complete-production-archive-6899458.jpg?v=1776954990"}],"url":"https:\/\/oriogi.com\/collections\/sold.oembed?page=2","provider":"ORIOGI オリオギ","version":"1.0","type":"link"}